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| 'Soft Power' by David Henry Hwang is one of the few Broadway productions with a largely Asian cast. |
ASAM NEWS
In the aftermath of the George Floyd killing, America takes a good hard look at itself in addressing systemic racism in institutions, the glare of the spotlight has turned to the theater industry.
Hundreds of theater industry workers published an open letter Monday condemning racism in the theater industry. Among the signers are dozens of AAPI artists including Sandra Oh (Killing Eve), Conrad Ricamora (How to Get Away With Murder, Soft Power) and playwright David Henry Hwang (Soft Power).
The letter comes as protests condemning the killing and mistreatment of Black people continue around the world heightening racial inequities throughout US society, including Broadway.
The open letter was addressed to “White American Theater,” according to TIME Magazine. It called out the theater industry for systemic racism and demanded that changes be made.
“We have watched you exploit us, shame us, diminish us, and exclude us. We see you. We have always seen you,” the letter reads. “And now you will see us.
The letter slams the theater for its acts of racism, patriarchy and white privilege. It accuses theater executives of whitewashing BIPOC (Black, Indigenous, People of Color) stories to satisfy white audiences. It also discusses the theater’s history of tokenism, saying that the theater would promote BIPOC stories and work only when it was convenient for them.
“We have watched you amplify our voices when we are heralded by the press, but refuse to defend our aesthetic when we are not, allowing our livelihoods to be destroyed by a monolithic and racist culture,” the letter reads.
According to an annual study from the Asian American Performers Action Coalition (AAPAC) found that in the 2016-17 theatrical season, 86.8 percent of shows were written by white playwrights. Around 66.8 percent of roles were held by White performers.
The AAPAC study found that 7.3 percent of roles were held by Asian American performers and 1.5 percent of shows were written by Asian American playwrights.
The letter also specifically called out anti-blackness in theater.
“We have watched you promote anti-Blackness again and again. We see you,” the letter reads.
There is also a website called “We See You White American Theater” which details how the letter began as a small private discussion and evolved into a much larger one. The website has a link to a petition that demands change for BIPOC theatremakers.
“This ends TODAY,” the letter concludes.
Views From the Edge contributed to this report.
The open letter was addressed to “White American Theater,” according to TIME Magazine. It called out the theater industry for systemic racism and demanded that changes be made.
“We have watched you exploit us, shame us, diminish us, and exclude us. We see you. We have always seen you,” the letter reads. “And now you will see us.
The letter slams the theater for its acts of racism, patriarchy and white privilege. It accuses theater executives of whitewashing BIPOC (Black, Indigenous, People of Color) stories to satisfy white audiences. It also discusses the theater’s history of tokenism, saying that the theater would promote BIPOC stories and work only when it was convenient for them.
“We have watched you amplify our voices when we are heralded by the press, but refuse to defend our aesthetic when we are not, allowing our livelihoods to be destroyed by a monolithic and racist culture,” the letter reads.
According to an annual study from the Asian American Performers Action Coalition (AAPAC) found that in the 2016-17 theatrical season, 86.8 percent of shows were written by white playwrights. Around 66.8 percent of roles were held by White performers.
The AAPAC study found that 7.3 percent of roles were held by Asian American performers and 1.5 percent of shows were written by Asian American playwrights.
The letter also specifically called out anti-blackness in theater.
“We have watched you promote anti-Blackness again and again. We see you,” the letter reads.
There is also a website called “We See You White American Theater” which details how the letter began as a small private discussion and evolved into a much larger one. The website has a link to a petition that demands change for BIPOC theatremakers.
“This ends TODAY,” the letter concludes.
Views From the Edge contributed to this report.
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