Saturday, February 21, 2026

Bruce Lee's stamp on America is official, says US Postal Service



In his too brief life, martial artist and movie star  Bruce Lee had a huge stamp on the lives of Asian men and now you can put his stamp on your mail.

In a move that feels like it’s been decades in the making, the United States Postal Service officially inducted Bruce Lee into its permanent collection this week. At a packed ceremony at Seattle’s historic Nippon Kan Theater—just a stone's throw from where Lee first began teaching his philosophy of "being like water"—the USPS unveiled the 2026 Forever Stamp.

More than just an action star

For the Asian American community, this isn't just about a movie star. It’s about visibility. As Views From the Edge has tracked for years, the fight for representation in media started with the trail Lee blazed in the 1960s and 1970s.

“Bruce Lee was mesmerizing to watch. Unlike the theatrical, acrobatic kung fu that came before, his movements were economical, explosive and real,” said Ben Kuo, the Postal Service’s senior vice president of facilities and infrastructure, who spoke at the ceremony.

Bruce Lee fundamentally shifted the perception of Asian men by replacing decades of demeaning caricatures with an image of physical power, sexual charisma, and defiant agency.

"He wasn't just a martial artist; he was a philosopher who forced the world to look at an Asian man as a hero, a leader, and a human being," said one attendee at the Seattle launch.

Before Lee's rise in the early 1970s, Asian men in Western media were typically relegated to "emasculated" roles such as bumbling servants, desexualized "nerds," or villainous "Fu Manchu" archetypes.
FYI: The Bruce Lee Forever® stamp, released on February 18, 2026, can be purchased for $15.60 per sheet of 20 through the USPS Postal Store website, by calling 844-737-7826, or at local post offices nationwide. The commemorative stamp is also available via the USPS Officially Licensed Collection on Amazon.

The design

The stamp itself, designed by Kam Mak, captures that kinetic energy we all remember. Its aThe Look: A black-and-white tempera painting of Lee mid-air in his signature flying kick. The background features a bold yellow brushstroke, a nod to the jumpsuit that became a global symbol of defiance in Game of Death.

In a clever bit of typography, the words "BRUCE LEE" appear to be shattering under the force of his kick..

It was only fitting that the launch happened in the Pacific Northwest. Seattle is where Lee found his personal and martial arts footing, met his wife Linda, and where he now rests at Lake View Cemetery.

His daughter, Shannon Lee, was on hand to remind the crowd that her father’s legacy wasn't just about the "fists of fury," but about the mental strength required to break through the racial "bamboo ceilings" of 1960s Hollywood.

Enter Bruce Lee

He first entered America's concsiousness in the one-season Green Hornet TV series where he played Kato, the loyal sidekick. While the show was not good enough for another season, Lee's prowess as a martial artist stole every fight scene from the Green Hornet and introduced a new Asian man to America.

In breaking old stereotypes, Bruce Lee created another: the iconic martial artist.

Unfortunately, Hollywood didn't catch on to the significance of Lee's popularity with the younger generation. He still found the major studio doors closed to the concept of an Asian being a leading man.

That's why he left Hollywood for Hong Kong where his martial arts movies -- Game of Death, The Big Boss, The Way of the Dragon and Fists of Fury -- were wildly popular. Of course, the success of those films led to a collaboration with Warner Brothers to produce Enter the Dragon, the movie that reintroduced the martial artist icon to American audiences and legions of new fans that kicked off a surge of martial art studios' openings.

Bruce Lee fundamentally shifted the perception of Asian men by replacing decades of demeaning caricatures with an image of physical power, sexual charisma, and defiant agency.

        RELATED: 'Warrior' is an ode to Bruce Lee & my 'Kung Fu' audition 

Before Lee's rise in the early 1970s, Asian men in Western media were typically relegated to "emasculated" roles such as bumbling servants, desexualized "nerds," or villainous "Fu Manchu" archetypes.


Ironically, while he broke old stereotypes, his success inadvertently created a new one: the expectation that every Asian man in film must be a martial arts expert, a typecasting that actors like Jackie Chan and Jet Li later had to navigate.

Today, Lee remains an enduring icon of pride and strength, particularly cited as a source of resilience for Asian American communities during times of social challenge.

“I think it’s great for him to be recognized by the US Postal Service because a lot of people don’t realize that he was American,” says Shannon Lee. “America really shaped him and in return, he helped shape America.”

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge. 



Friday, February 20, 2026

2026 Olympics: Skating with joy, Alysa Liu wins a gold medal

Figure skater Aysa Liu loves the audience applause after her gold medal performance.



If you weren’t already a member of the Alysa Liu fan club, her performance Thursday night in Milan probably fixed that. 

The 20-year-old from the Bay Area didn’t just win an Olympic gold medal; she reclaimed the joy of a sport that she once walked away from, and she did it with a "megawatt smile" that lit up the entire Milano Ice Skating Arena at the 2026 Winter Olympics.

Liu’s victory is more than just a personal win — it’s a historic moment for Team USA. She is the first American woman to stand atop the individual Olympic podium since Sarah Hughes in 2002. For those of us keeping track, that’s 24 years of waiting, finally ended by a skater who prioritizes fun as much as her footwork.

Coming into the free skate in third place, Liu was the picture of "calm, cool, and collected." Dressed in a shimmering gold outfit that seemed to predict the final result, she delivered a masterclass to Donna Summer’s disco classic "MacArthur Park."

Her priorities

From her opening triple flip to her closing combinations, Liu was virtually perfect. She racked up a career-best 150.20 in the free skate for a total of 226.79, enough to edge out Japan’s powerhouse skaters Kaori Sakamoto and Ami Nakai.

After her final pose, Liu didn’t collapse in exhaustion. Instead, she gave a casual flip of her ponytail and a shrug, as if to say, "Yeah, that's done. Time to go hit a karaoke bar."

Fans caught a real moment of triumph on camera as she stepped off the ice, she looked straight into the camera and exclaimed, "That’s what I’m f***ing talking about!" [Note: Viral social media moment]. It was the kind of unfiltered joy we love to see from an athlete who has truly found her voice.

Skating is something she enjoys, but it is not the most important thing about her life. After her performance she was interviewed by NBC and she barely talked about her her skating:

"Going into this free skate, I have this new dress I was very excited to share on the big stage, and I'm very happy with how I skated.

"I had dinner with (my family) last night and that was unbelievable. But another unbelievable feeling was just when I was skating. When I was skating, hearing the cheers, I felt so connected with this audience. I want to be out there again.

"All I want in my life is human connection and, damn, now I am connected with a hell of a ton of people (laughs)."

Life is more than the medals

For Liu, this journey back to the ice after her brief retirement in 2022 wasn't about the hardware. As she told reporters while her gold medal hung around her neck: "I don't need this... what I needed was the stage."

She leaves Milan with two gold medals—one from the team event and this historic individual title—and a reminder to all of us that the best performances happen when you’re truly having fun.


As she told reporters after winning gold, "I choose to be here ... I love that I was able to come back and choose my own destiny."

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge. 

Thursday, February 19, 2026

FEBRUARY 19: Day of Remembrance has added significance today

NATIONAL MUSEUM OF AMERICAN HISTORY


It’s February 19, and if you’re feeling a heavy sense of déjà vu, you’re not alone. This Day of Remembrance isn’t just a somber look back at the 84 years since Executive Order 9066 uprooted our community; it’s a flashing red siren about the here and now.

While we usually spend this day honoring those who survived the barbed wire, the 2026 commemorations have a sharper, more urgent edge. From the streets of Little Tokyo to the halls of D.C., the message is clear: the "never again" we’ve been reciting for decades is being put to its ultimate test under the Trump administration.

Here’s why this year’s DOR hits differently:
  • The Ghost of 1798: The Japanese American Citizens League (JACL) and other advocacy groups are sounding the alarm over the White House’s invocation of the Alien Enemies Act of 1798. Yes, the exact same law used to justify the WWII incarceration is now being dusted off for mass deportations.
  • "Silence Today, Injustice Tomorrow": That’s the official theme of the Los Angeles DOR organized by the Japanese American National Museum (JANM). It’s a direct response to the "erasure and censorship" of our history and a warning that the machinery used against Japanese Americans in 1942 is being rebuilt for immigrant communities today.
  • A Slap in the Face: Many in the community haven't forgotten Trump's campaign rhetoric, where he compared the treatment of Jan. 6 defendants to the WWII incarceration—a comparison survivors called "egregiously inaccurate" and a gross insult to those who lost everything.
As survivors like those at Densho point out, the "dangerous logic" that national security justifies stripping away constitutional rights is back in vogue. Whether it’s raids on long-term residents or the targeting of specific ethnic groups, the parallels are no longer just academic—they’re our daily headlines.

On this Day of Remembrance, the community isn't just looking at the past; we’re looking at the neighbor next door, wondering if we’re the only ones who remember how this story ends.

The 2026 Day of Remembrance (DOR) weekend is packed with events across the country, many focusing on the theme of "Neighbors Not Enemies" and resisting modern-day detention and deportation.

San Francisco Bay Area

  • Solidarity Across Borders: Remembering Japanese Incarceration
    • Date & Time: Friday, February 20, 2026 | 5:00 PM – 8:00 PM
    • Location: UC Berkeley Campus, Tilden Room, MLK Student Union
    • Type: Commemoration and activist gathering.
  • Day of Remembrance Interfaith Vigil 2026: Sacred Protection
    • Date & Time: Wednesday, February 25, 2026 | 11:00 AM – 12:30 PM
    • Location: ICE Field Office, 630 Sansome Street, San Francisco
    • Type: Interfaith vigil and protest.
  • Films of Remembrance 2026
    • Date & Time: Saturday–Sunday, February 21–22, 2026
    • Location: AMC Kabuki 8, San Francisco Japantown
    • Type: Film showcase and panel discussions.
Los Angeles
  • 2026 Los Angeles Day of Remembrance: The Power of Action
  • Short Films Honoring the Day of Remembrance
    • Date & Time: Thursday, February 19, 2026 | 7:00 PM
    • Location: Academy Museum of Motion Pictures
    • Type: Film screening commemorating the 50th anniversary of the rescindment of EO 9066.
Seattle & Pacific Northwest
Chicago
  • Day of Remembrance: "Enough" Screening & Panel
  • Day of Remembrance Vigil at Broadview ICE Facility
    • Date & Time: Thursday, February 19, 2026 | 12:00 PM (Noon)
    • Location: Broadview ICE Abduction Center, 1930 Beach Street, Broadview, IL
    • Type: Direct action protest and vigil; carpools available from Chicago.
    EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge.

Olympic star Eileen Gu says she was assaulted at Stanford University


Eileen Gu studies when and where she can on the Stanford University campus.


In a series of reports released on February 17, 2026, freestyle skiing sensation Eileen Gu revealed the dark reality of her time as a student at Stanford University, disclosing that she was "physically assaulted on the street" amid a climate of intense political hostility.

The 22-year-old athlete, currently representing China at the 2026 Milan-Cortina Winter Olympics, detailed a pattern of harassment that underscores a deep ideological rift within the Chinese American community and the broader US political landscape.

Gu revealed several harrowing incidents that occurred after she enrolled at Stanford in the fall of 2022:  Gu told The Athletic she was physically assaulted on the street, an incident that required police intervention.

She alleged her dorm room was robbed during her time on campus.and disclosed receiving persistent death threats linked to her 2019 decision to compete for China rather than the US.

Stanford University has remained reticent, citing student privacy as the reason for not providing specific details on the assault or robbery.


“Stanford University’s top priority is the safety and well-being of every member of our community. Our dedicated Department of Public Safety (DPS) is committed to creating a safe and secure environment for everyone on campus," the university statement said.

Chinese American community split

The depth of the ideological split surrounding Gu is most visible in her upcoming role as the Grand Marshal for the 2026 San Francisco Chinese New Year Parade on March 7.

Gu, a San Francisco native, went to local private schools before getting accepted to Stanford, but continues to face backlash for her decision to represent China instead of the United States in international competitions, including the ongoing 2026 Winter Olympics in Milan. Critics frequently label her a "traitor" or "opportunist" for benefitting from American training while representing a geopolitical rival.

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Supporters and parade organizers, including the Chinese Chamber of Commerce, view Gu as a local hero and a bridge between cultures. They emphasize her commitment to inspiring young girls and her advocacy against anti-Asian discrimination.

During the COVID-19 pandemic, Gu described a terrifying incident in a San Francisco Walgreens where a man screamed anti-Asian profanities about the virus at her and her grandmother.

Following the 2021 Atlanta spa shootings, she spoke out against anti-Asian racism and "domestic terrorism," emphasizing the need to stand against bigotry.

Critics—including some members of the Chinese American community—view her as a "PR asset" for the Peoples Republic of China (PRC) and the Chinese Communist Party. This faction has allegedly organized petitions to block her Stanford admission.

One more event, then home

Despite the controversy swirling around Gu, she is focused on the Olympics this week having won two silver medals already she has a chance to medal in her preferred event. She will compete in the qualifying round of the halfpipe today, with the final scheduled on Saturday at 1:30 p.m. ET.  

Then she will fly home to be the Grand Marshal for the Lunar New Year Parade in San Francisco. Gu is looking forward to being the Grand Marshall for the Chinese New Year parade ushering in the Year of the Horse. 

"Growing up in San Francisco, this was a huge part of my childhood and I remember going every year," Gu said. "I can't wait to light the fireworks and start the parade and being a part of the Asian community in San Francisco, and coming back to my roots is something that I'm so much looking forward to."

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge. 

Wednesday, February 18, 2026

2026 Olympics: Alysa Liu in position to medal in figure skating

Californian Alysa Liu skated a clean short program Tuesday at the Olympcs

Alysa Liu sits in third place after a stellar short program at the 2026 Winter Olympics in Milan, keeping American medal hopes alive on a night of mixed results for Team USA.

Skating to Laufey’s "Promise," the 20-year-old reigning world champion posted a season-high 76.59, trailing only Japan’s Ami Nakai and Kaori Sakamoto.


“I am really happy about how I skated,” Liu told NBC. “I'm really glad I did super well. I felt super grounded, and I connected with my program on another level compared to the rest of the season.”

Liu, raised in Richmond, California, executed the most difficult jumping sequence of the night, a triple Lutz-triple loop combination.

While Liu delivered the "cleanest" performance of her season, she faces a narrow climb to the top of the podium. Finishing ahead of Liu is 17-year-old breakout star Ami Nakai (Japan) leads the field with a 78.71 after landing a massive triple Axel in her Olympic debut; and three-time world champion Kaori Sakamoto (Japan) in second with 77.23, just 0.64 points ahead of Liu.

RELATED:


Aksed if she could catch up to the Japanese skaters, Liu told NBC: “Whether I beat them or not is not my goal. My goal is just to do my programs and share my story. And I don't need to, I guess, be over or under anyone to do that.”

Since her return from a brief retirement, the reigning world champion Liu has been praised for her "creative expression," moving away from traditional scores toward more contemporary, edgy music like her current short program.

Liu is the lone "Blade Angel" in the top five. Teammates Isabeau Levito and Amber Glenn finished in eighth and 13th place, respectively, after US champion Glenn suffered a costly error on her triple loop.

The women’s individual competition concludes with the free skate final on Thursday, February 19, where Liu will look to become the first American woman to win an individual Olympic medal in 20 years.

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge. 

Tuesday, February 17, 2026

2026 Olympics: San Francisco's Eileen Gu wins her second silver

Eileen Gu's third run was enough to come from behind silver medal at the 2026 Winter Olympcs.


China's Eileen Gu won the silver medal in the women’s freestyle skiing big air final at the Milano Cortina 2026 Winter Olympics today, February 16, 2026.

Despite being defending champion, the American-born Gu was narrowly outscored by Canada’s Megan Oldham, who took the gold. 
Italy's Flora Tabanelli earned the bronze medal.

The final in Livigno was delayed by over an hour due to heavy snow and high winds. Gu started with a strong first run almost assuring a spot onthe medal podium. However a shaky second run forced Gu to focus on her third run to get a medal.
Under immense pressure, she landed a spectacular left-side double cork 1260, earning an 89.00 and securing the silver with a total score of 179.00.

Canada's Megan Oldham took the gold medal and Italy's Flora Tabanelli earned the bronze medal.

RELATED:

Gu's second silver medal of the 2026 Games makes her the most decorated female freestyle skier in Olympic history with five career medals. In 2022 Gu won two gold and a silver. Those were added to the silver she won won Monday in the big air event and the silver she won last week in slopestyle.

She has a chance to add another medal. The 22-year old Gu will attempt to defend her final title in the women's halfpipe, with qualifying scheduled for Thursday, February 19 and the final on Saturday, February 21.

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge. 


Sunday, February 15, 2026

2026 Olympics: Skater Alyssa Liu and skier Eileen Gu divide the Chinese American community

Two Chinese American daughters of the San Francisco Bay Area are in the Olympics: Eileen Gu, left, competes for the Peoples Republic of China and the United States' Alysa Liu.



In the heart of the San Francisco Bay Area—a place where identity is as layered as the fog rolling over the Golden Gate—two young women were born into a world of complex heritage and shifting loyalties. As the 2026 Milan-Cortina Winter Olympics unfold, Alysa Liu and Eileen Gu have become the mirror images of a community’s deepest fractures.

The two young women are roughly the same age, both products of elite Northern California environments, and both balancing the rigors of American higher education. Yet, on the world’s biggest stage, their paths have diverged in ways that put Chinese Americans in a quandary: Who do we claim as our own?

On one hand, Alysa Liu  represents the United States. Born in Clovis, Calif. and raised in the East Bay, she was homeschooled in her high school years and attends the University of California Los Angeles (UCLA). Liu is the daughter of a political refugee who fled China following the 1989 Tiananmen Square protests. Her story is the classic American immigrant arc—one of seeking freedom and finding gold. 

On February 8, she helped lead Team USA to a gold medal in the figure skating team event, a triumphant return after a two-year break from the sport.
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On the other hand, Eileen Gu competes for the People's Republic of China. A San Francisco native, she attended a private high school and attends Stanford University, the same school attended by her Chinese-born mother, reportedly a venture capitalist. Gu spent summers in Beijing and speaks fluent Mandarin with a local accent. In 2019, she made the controversial choice to represent China, citing a desire to inspire young girls in her mother's homeland. 

On February 9, she secured a silver medal in the freestyle skiing slopestyle final for China, missing gold by a mere 0.38 points.

Gu is reportedly the richest athlete competing in the Winter Games. Newsweek reports her net worth at $50 million,the majority gained through modeling and endorsements, not prize money.

A community divided by choice

For many in the Chinese American community, these athletes aren't just competitors; they are "opposing archetypes" in a narrative they didn't write. 

In some circles, it is simple, it is The "Patriot" vs. The "Mercenary." Political commentators have been quick to weaponize their choices. Liu is often championed as a symbol of American values, while Gu faces labels of "traitor" or "mercenary" for representing a geopolitical rival while benefiting from American training and sponsorships.

However, in real life, the reality of duality makes the choice more complicated. Despite the backlash, Gu’s famous refrain—“When I’m in the US, I’m American; when I’m in China, I’m Chinese”—strikes a chord with those who live a hyphenated existence. They see her not as a defector, but as someone navigating the "messy middle" of a two-power world.

The comparison between the two has sparked fierce commentary on social media widening the everpresent gap between pro-PRC segments and democracy advocates; Alysa cast as a free spirit and Gu as an ungrateful elitist. 

"All of this frames how the media and the public make sense of Liu and Gu, who have been cast as the good and bad immigrant respectively," Professor Richard King of Columbia College Chicago told the BBC.

View from the edge

Though they represent different flags, their lives share a striking rhythm. Both are navigating the pressures of Gen Z stardom, balancing exams with Olympic podiums, and dealing with the weight of two cultures on their shoulders.
FYI: Alysa Liu is back on the ice for Women's Short Program on February 17.Gu will have the big air final on Monday, followed by the halfpipe qualifiers on Thursday, with the final coming Saturday.
They have never met, yet they share a specialized SF Bay Area upbringing that few others can understand. In a different world— one less dominated by "Great Power Competition"— they might have been friends, two California girls sharing boba and talking smack about their rival schools, discussing the impossible pressure of being everything to everyone. Instead, they remain the two poles of a community searching for its place on the edge of two worlds.

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge.