K-pop makes small inroad at the Grammy's; Bruno, Laufey and Paguia represent

It’s official: When it comes to the Grammys, the Recording Academy is still playing the same tired game of "look, but don't touch" with K-pop.

Despite Rosé and Bruno Mars practically blowing the roof off the building with their opening performance of "APT" at the Grammy awards Sunday, the night ended in a way that felt all too familiar to anyone who’s been paying attention.

Katseye's performance of their hit "Gnarly" nominated Best New Artist and Best Performance by a duo/group, reinforced the high energy and entertainment value of K-pop.

If you’re feeling a sense of déjà vu, you’re not alone. This year’s shutout of Rosé in the major categories—losing Record of the Year and Song of the Year—mirrors the frustrating history of BTS at the Grammys. For years, the Academy used BTS for ratings, inviting them to perform "Dynamite" and "Butter," yet repeatedly denied them a win in the Best Pop Duo/Group Performance category.

A trophy for K-pop

There was one win, however: the Grammys finally "gave" K-pop a trophy this year, but even that felt like a backhanded compliment. The win for "Golden" from the KPop Demon Hunters soundtrack happened in the Visual Media category during the pre-show, away from the main stage.

The team for "Golden" meant Grammys for EJAE (Kim Eun-jae), the Korean-American singer, songwriter, and producer, also known as the voice of character Rumi and her co-singers Korean Americans Audrey Nuna and Rei Ami; producers Teddy Park and Park Hong Jun and Yu Han Lee, Hee Dong Nam and Jeong Hoon Seo, songwriters and producers.

Laufey
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There were other winners

Asians were not completely shut out at the Grammy's.

Everyone's favorite Asian Icelander, Laufey, won a Grammy for Best Traditional Pop Vocal Album.

“I owe everything to my music education, to my arts education … we cannot cut arts funding, it’s so important. What you all do here is so important. I love you all so much,” she told the crowd.

The trophy balances out the Grammy she won last year.

Additionally, Marco Paguia, the Filipino American music director/pianist and the original cast of the Buena Vista Social Club. won Best Musical Theater Album for their work on the Broadway musical.

Paguia's Grammy win, follows the Tony Awards’ Best Orchestrations and a special Tony  that he earned last June for his work on the Buena Vista Social Club.

Let's not forget that Bruno Mars energy. Besides singing with Rosé at the show's opening, he had everyone dancing to his new song "I Just Might," which he debuted last night. It's almost a given: he'll be among the nominees next year.

SCREEN CAPTURE

The 6-member K-pop group Katseye performed at the Grammys Sunday night.

View from the edge

For K-pop, the pattern is clear: the Academy loves the global viewership and the high-octane energy K-pop brings to the telecast, but they still refuse to grant these artists the "prestige" of a General Field win. 

Rosé was good enough to open the show, but apparently, her historic impact wasn't "enough" to take home the hardware.

The Grammy's problem is that it tries to be all things to all genres, and when a new genre comes along like K-pop, it doesn't know how to categorize it. "APT" and "Gnarly" tried to bridge the gap with English lyrics, but, apparently, to no avail. However, "Golden" was able to break through which perhaps signals an opening.

Years ago, the recording industry was criticized for not recognizing country music and hip-hop so it had to make new categories to give those genre's their deserved recognition. The academy had the same problem with Latin music and gospel. The solution was the same.

Does the Academy need a complete overhaul of its voting block to finally recognize K-pop as global pop, or are these "performance-only" invites just the new normal?

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge. 

Filipino Americans make history winning top Tony awards for musicals

Nicole Scherzinger gave an emotional speech while accepting her Tony.

Broadway might never see another evening like Sunday's Tony Awards where history was made when three Filipino Americans won Tony awards, Broadway's equivalent to the Oscars.

It was a big night at Radio City Music Hall for Asian American performers but especially for Filipino Amerians. 

Filipino Amercans Darren Criss and Nicole Scherzinger, each won their first-ever Tony Awards for their performances in the musicals Maybe Happy Ending and Sunset B.vd, respectively. Criss won Best Lead Actor in a Musical, while Scherzinger won Best Lead Actress in a Musical. 

Additionally, another Filipino American, Marco Paguia, won Best Orchestrations for Buena Vista Social Club.

Scherzinger, 46, won for her performance of fading Hollywood star Norma Desmond in Sunset Blvd., a revival based on the 1950 film noir of the same name by Billy Wilder.

"Growing up I always felt like I didn't belong, but you all have made me feel like I belong, and I have come home at last," she sobbed while accepting the award.

"I'm so honored to be recognized alongside these exceptional warrior women in this category. I want to thank you all so much for making this little Hawaiian/ Ukrainian/ Filipino girl's dream come true. So proud to represent."

        FYI: Record number of Asian American Tony nominees

She also thanked her family, including her mom, stating she 'had me at 18 and gave everything up for me.'

Nicole wrapped up her inspiring speech, sharing, 'If there's anyone out there who feels like they don't belong, or your time hasn't come, don't give up.'

'"ust keep on giving and giving, because the world needs your love and your light now more than ever.'

'This is a testament that love always wins. Thank you so much. God Bess you," concluded Scherzinger, who started her musical journey as a member of the all-women Pussycat Dolls.

Darren Criss is the first Asian American man to win a lead role Tony.

In the Best Leading Actor in a Musical category, Criss beat out Andrew Durand for Dead Outlaw, Tom Francis for Sunset Boulevard, Jonathan Groff for Just in Time, Jeremy Jordan for Floyd Collins, and James Monroe Iglehart for A Wonderful World: The Louis Armstrong Musical.

In his acceptance his Tony, Criss gave a shout out to his costar. "I share this with one of the best leading actresses is in a Broadway msical the season, Helen J. Shen,' he said. "I am so proud of you and your Broadway debut is for the books. This is where you belong."

Criss and Shen performed a number from their musical after being introduced by Broadway legend Lea Salonga, the first Asian woman to win a Best Actress in a Musical Tony for her role in the original Broadway production of Miss Saigon.

"The real hero for this remarkable journey is my wife, Mia," he continued, "who took a massive swing on allowing me to do this and to allow this crazy upheaval in our life to make this logistically possible, and for bearing the brunt of raising two tiny friends under three so that I could raise a singing robot at the theater eight times a week."

"I have such immense pride to get to be part of this notably diverse exquisite Broadway season this year," Criss told the star-studded audience.

It was a big night for Maybe Happy Ending which wound up with six Tony's including Best Musical and Best Direction for a Musical for director Michael Arden.

The musical's South Korean lyricist Hue Park and American composer Will Aronson took home the Tony for best original score and best book of a musical.

In addition to the Tony for Best Orchestration, Marco Paguia also won a second Tony as a musician for the Buena Vista Social Club. Besides being the show's music direcor and conductor, he is also on stage playing piano.

Another Asian American winning an award Sunday was Francis Jue, a Broaddway veteran who accepted a Tony for Best Performance by a Featured Actor in a Play in Yellowface, a timely revival about representation for Asian Americansin the performing arts written by David Henry Hwang. The play also earned a Tony nomination for lead actor Daniel Dae Kim.

Unknown to most of the audience, another Filipino American, Tatiana Cordoba, sang and danced Sunday in her lead role as Ana Garcia, the Mexican American teenager seeking to break away from a life as a garment worker in the musical Real Women Have Curves.

EDITOR'S NOTE: For additional commentary, news and views from an AANHPI perspective, follow me on Threads, on X or at the blog Views From the Edge.

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