Showing posts with label Abaca. Show all posts
Showing posts with label Abaca. Show all posts

Thursday, April 16, 2026

Filipino Food Month: Americans are discovering the joy of eating with your hands

KAMAYAN
Abaca is one of the restaurants offering the Filipino experience of eating without utensils.


Eating at Francis and Dian Ang's Abaca restaurant in San Francisco, amid the usual clatter of plates and conversation, there is a sudden pause followed by "oohs" and "aahs" as servers bring out a planks laden with Filipino food including lechon, adobo, smoky grilled fish, lumpia, marinated  beef on sticks, accompanied by a plethora of tropical fruit  and vegetables and, no Filipino meals would not be complete without mounds of rice.

But there are no utensils. It is a "kamayan" meal being brought out to a group of excited and perhaps anxious diners anticipating the experience they are about to have. 

As more diners lean into the vibrant, soulful world of Filipino cuisine, they are waking up to a realization that has anchored Southeast Asian culture for centuries: the best way to eat is with your hands.

There is something undeniably primal about the way we engage with a meal when we finally ditch the fork and spoon. In the Philippines, this isn't just a casual habit; it’s a communal ritual known as Kamayan.

At its core, Kamayan — literally "by hand" in Tagalog — is a sensory middle finger to the rigid formalities of Western dining. Forget the clinking of forks or the frantic search for a steak knife. Forget the one dish at a time for Here, the table is your plate, lined with the waxy, emerald sheen of banana leaves. On top of that canvas, a landscape of garlic-heavy sinangag rice, charred liempo, and crispy lumpia is laid out in a glorious, unpretentious heap.

Although some Filipino families use their hands to eat at every meal, the art of kamayan is perhaps best exemplified in the "Boodle Fight."

A typical Kamayan meal at Abaca.

To eat Kamayan is to participate in a "Boodle Fight," a term born from Philippine military mess halls where soldiers of every rank ate together from the same pile. It is a Great Equalizer. When everyone’s fingers are stained with the juice of a grilled pork or the salt of a dried fish, the social barriers simply melt away.
FYI: Not all Filipino restaurants offer a Boodle Fight. Those that do offer the experience usually require advance notice in order to prepare the feast.
There is a specific, tactile art to it, too. You don’t just grab; you curate. You use your fingertips to compress a small mound of rice against a piece of adobo, creating a perfect, bite-sized parcel. Then, with a quick flick of the thumb, you launch it home. It changes the way food tastes. You feel the temperature, the texture, and the heft of the meal before it ever hits your palate.

The Boodle Fight: Radical equality

The contrast between a Filipino Boodle Fight and a Euro-centric Formal Sit-Down Dinner is the ultimate case study in how two cultures define "respect," "order," and "connection" in diametrically opposite ways.

One is a rebellion against boundaries, while the other is a masterclass in maintaining them. 

Originating from the Philippine military, where soldiers ate together regardless of rank, the Boodle Fight is a spatial and social takeover.

  • The "Plate": There are no individual plates. Long banana leaves cover the entire table, turning the surface into a single, shared canvas of food.
  • The "Utensils": You eat with your bare hands (Kamayan). This removes the "clink and clatter" of silverware and forces a tactile, primal connection with the meal.
  • The Layout: Rice forms a "mountain" down the center, flanked by grilled meats, seafood, and vegetables. There is no "yours" or "mine"—there is only "ours."
  • The Message: "We are all the same." By eating from the same leaf with the same hands, you are physically manifesting the concept of Kapwa (shared identity).🍽️ 

The Formal Sit-Down: Disciplined sophistication

The Euro-centric formal dinner is built on segmentation, sequence, and distance.
The "Plate": Each guest has a designated zone (the place setting). Crossing into another person’s zone is a major breach of etiquette.
  • The "Utensils": A specialized tool exists for every task—salad forks, fish knives, soup spoons. These act as mechanical barriers between the human hand and the "mess" of the food.
  • The Layout: Food is brought out in timed intervals. You do not see the dessert while you eat the soup. This creates a controlled, intellectualized experience of flavor.
  • The Message: "We are refined." The meal is an exercise in self-control and social grace. Order is maintained through strict adherence to unspoken rules.
Kamayan meals, or Boodle Fights, are increasingly offered by various Filipino restaurants in the US. 

The experience of eating with one's hands requires a certain amount of losing inhibitions. The side benefit is that once one starts to use your hands to eat, you have to put down your cell phone and instead discover the art of conversation and being present.

In Abaca's dining room, the table that ordered a kamayan meal is loud and there's plenty of laughter as the diners figure out how to eat rice with their hand. They're having a good time. 

In an era where we are increasingly insulated by screens and sterile environments, Kamayan offers a rare, grounded intimacy. It’s messy, it’s loud, and it’s deeply human. It reminds us that at the end of the day, a meal isn't just fuel — it’s a connection to the earth and to the people sitting across from us.

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge. 



Friday, May 12, 2023

Filipinx talent threads throughout 11-day CAAMFest 2023



CAAMFest 2023 had its opening night May 11  and the local film community is still buzzing about the laughs induced by the movie Joy Ride. There's 10 more days of the largest and oldest Asian American film festival.

One of exciting aspects of the film festival is the sheer number of Filipino American filmmakers compared to just a few years ago.

The 41st Center for Asian American Media (CAAM) Film Festival is featuring a number of Filipinx films and filmmakers, including a performance reviving the first Filipina American rock band, Fanny,  and a sneak peek of musical about union organizer Larry Itliong.  

CAAMFest 2023, will run through May 21 in San Francisco and Oakland venues. With the need for  COVID health restrictions, festival events will be a fully in-person celebration of Asian and Asian American stories in gathering. 

All programming with Filipinx talent can be found below. 

FOOD PROGRAMMING 

Futurist Flavors: Abaca and Animae Tuesday,
May 16, 5 p.m. / 8 p.m.

Abacá An interstellar collaboration with these two chef-visionaries is serving all the stars in our eyes and the stories of a familiar future on a plate with a fork and spoon. Executive Chef Tara Monsod of Animae and James Beard nominated Chef-Owner Francis Ang of Abacá’s menu promises unique untold flavors of possibility, designed to transport us into and beyond diaspora, time, and place. 

Gone are the days of punching down flavors to appease the unseasoned palette. We’ll be calling these culinary wayfinders in for a spirited conversation, learning firsthand how chefs are paving the way towards a future that’s rich in collaboration, bold profiles, and unapologetic swag. Filipino American chefs Francis Ang and Tara Monsod will be dishing up indulgent courses family-style amidst the backdrop of sonic beats so pull up a chair, we want you there! 

MUSIC

Directions in Sound: Fanny and Friends
Saturday, May 20, 1:00 PM | Yerba Buena Gardens

CAAMFest’s fresh music showcase, returns once more to the SOMA Pilipinas Filipino Heritage District for a renewed collaboration with the Yerba Buena Gardens Festival. Tearing up the stage will be the legendary Fanny, the first all-female rock band – co-founded by two Filipina American sisters  Jean Millington, andJune Millington – to release an LP with a major record label in the US. They will be joined by Filipino Americans Ruby Ibarra and Peaboo and joined by the Catz. Directions in Sound is made possible with support from AARP. 

Larry The Musical
Sunday, May 14, 6:00 PM | Great Star Theater

CAAMFest audiences will get a sneak peek of Larry The Musical, based on the book, Journey for Justice: The Life of Larry Itliong by Dr. Dawn Mabalon and Gayle Romasanta. Join members of the production team as they take us through the journey of bringing to life the story of Filipino labor organizer, Larry Itliong, who fought for dignity in the fields and united for the first time with the Mexican community in Delano, California. executive producer Gayle Romasanta, and director Billy Bustamante along with other FilAm members of the production team are expected to be present.

FEATURES 

Fanny: The Right To Rock, directed by Bobbi Jo Hart. Documentary. Friday, May 19, 5:30 PM | SFMOMA Phyllis Wattis Theater 

Fanny: The Right to Rock is about a band formed by Filipina Americans from the Central Valley in the 1960s. The film explores Fanny’s uphill battle to complete and release their new album, with the fascinating herstory of the band’s improbable journey during their 70s heyday. This screening is made possible with support from Mona Lisa Yuchengco. Expected guests: Filmmaker Bobbi Jo Hart and Fanny members Brie Darling, Alice De Buhr, Jean Millington, June Millington, and Patti Quatro. 

In the 1970s, the Filipino American rock band, Fanny, made history.

Nurse Unseen, directed by Michele Josue. Documentary. Friday, May 12, 7:15 PM | Great Star Theater 

Nurse Unseen by Filipino American filmmaker Michele Josue explores the little-known history and humanity of the unsung Filipino nurses risking their lives on the front lines of the COVID-19 pandemic while facing a resurgence of anti-Asian hate in the streets. 

This Time, directed by Sebastien Tobler. Narrative Feature. Sunday, May 21, 6:30 p.m. | New Parkway Theater, Oakland 

Long lost high school sweethearts, Laela and Colin, unexpectedly reunite in Los Angeles 23 years after being separated during the 1998 riots in Jakarta, where they were torn apart without notice, unable to say goodbye, and flown away to different countries. When they see one another again, the temptation to reconnect with a kindred spirit is irresistible despite Laela’s looming deadline and Colin’s impending move to Pennsylvania. As the star-crossed lovers examine the choices that led them down their separate paths and back again, Laela and Colin must decide if they’re still in love or just nostalgic for the past. Directed by Sebastien Tobler.

Swiss Topline, directed by Romeo Candido. Narrative Series. Sunday, May 21, 3:30 PM | New Parkway Theater, Oakland 

Topline is a musical dramedy about the world of professional songwriters for young adults. It is a series about growing up. About how relationships can bend and break in the wind of ambition. About finding the strength to overcome obstacles and finding the true value of your own voice. Director Romeo Candido is Filipino Canadian. 

Unseen, directed by Set Hernandez. Documentary. Sunday, May 14, 12:15 PM | Roxie Theater 

Most people dream of a better future. Pedro, an aspiring social worker, is no different. But as a blind, undocumented immigrant, Pedro faces political restrictions to obtain his college degree, secure a job in his field, and support his family. As he finally graduates, uncertainty looms over Pedro. What starts as a journey to provide mental health care for his community ultimately transforms into Pedro’s path toward his own healing. Through experimental cinematography and sound, "unseen" reimagines the accessibility of cinema, while exploring the intersections of immigration, disability, and mental health. Director Set Hernandez identifies as Pilipino.

SHORTS

Kapwa Texas, directed by PJ Raval. Part of the shorts program:
Community Care. Saturday, May 13, 11 a.m. at the San Francisco Public Library (Main)

As the world grapples with an emerging global pandemic, three young Filipino women forge unexpected connections with their families and discover themselves in the process. A self-documented time capsule during turbulent times, Kapwa Texas captures the unbreakable bond between Filipino family and community. 

Lahi, directed by Reina Bonta Part of the Shorts Program:
The Mourning After, Saturday, May 20, 9:00 PM | Roxie Theater

While visiting O'ahu to sell her late Grandmother's house, a young Filipina American woman must confront her disconnection from her cultural identity. Directed by Reina Bonta.

Overdue, directed by Abigail Pañares. World Premiere - Part of the Shorts Program: Mama Trauma, Sunday, May 14, 3:15 PM | Roxie Theater 

Left to her own devices a week before her c-section, a first-time mother begins to spiral when confronted with the impending change. Directed by Abigail Pañares

Perry And A Pause, directed by Tess Paras. Part of the Shorts Program: Companion Pass,  Thursday, May 18, 5:30 PM | Roxie Theater 

A divorced gig worker gets a new lease on life when she is sent to assist a free-spirited elder who lives life by her own rules. Directed by Tess Paras.

Scene from "Reality Dad" screening at CAAMFest 2023.

Reality Dad, directed by Charlene deGuzman Part of the Shorts Program: REALITY BITES Thursday, May 18, 8:30 PM | Roxie Theater 

Obsessed with finding love on reality tv, a single father must explain to his young daughter why he hasn't found her a "new mommy." Directed by Charlene deGuzman.

The Resemblance, directed by Derek Nguyen Part of the Shorts Program: Out/Here, Sunday, May 14, 12:30 PM | Castro Theatre 

A grieving couple hires an actor to role-play their dead son only to discover their evening of remembrance is more than they bargained for.  Produced by Ernesto Foronda is.

The Van, directed by Bernard Badion Part of the Shorts Program: The Mourning After, Saturday, May 20, 9:00 PM | Roxie Theater 

A man has trouble moving his stubborn father unless a broken-down van comes with him. Stars Eugene Cordero and directed by Bernard Badion.

When You Left Me On That Boulevard, directed by Kayla Aduba Galang. Part of the Shorts Program: Companion Pass, Thursday, May 18, 5:30 PM | Roxie Theater 

Teenager Ly and her cousins get high before a boisterous family Thanksgiving at their auntie’s house in southeast San Diego in 2006. Directed by Kayla Galang.

Winston, directed by Melanie Lim. Part of the Shorts Program: JAM SESH Saturday, May 20, 3:30 PM | Roxie Theater 

A prolific composer of Philippine cinema, septuagenarian Winston Raval continues to strive for brand new sounds, for musical perfection.

FYI:
EDITOR'S NOTE: In keeping with the policy of Views From the Edge, we allow people to identify themselves  as they wish to be identified. CAAMFest prefers the use of Filipinx, but this blog interchanges its use with Filipinos. For additional commentary, news and views from an AANHPI perspective, follow @DioknoEd on Twitter or at his blog Views From the Edge.