Showing posts with label #NerdsOfColor. Show all posts
Showing posts with label #NerdsOfColor. Show all posts

Wednesday, March 8, 2017

Cultural appropriation: Should the 'Iron Fist' superhero have been Asian American?

From left: Jessica Henwick, Finn Jones and Rosario Dawson star in Marvel's upcoming 'Iron Fist' on Netflix.
YOU ALMOST have to have to feel a little sorry for actor Finn Jones. When he accepted the role of Danny Rand in Netflix and Marvel’s upcoming superhero production Iron Fist, he had no idea he was inserting himself in a cultural quagmire. 

For Jones, the role was the biggest acting gig of his young career that might lead him to fame and fortune. Jones, a British actor, didn't know he was stepping into the middle of America's heated debate about inclusion and cultural appropriation.

Last weekend, he got into a Twitter-bate with Asyiqin Haron, the creative director of the Australia-based Geeks of Color, resulting in the actor temporarily quitting his Twitter account, which in the Twitter-verse is akin to saying "I have had enough" of the discussion and criticism. Jones later reactivated his account and explained that he just wanted to focus on the filming of The Defenders series, the follow-up to the first season of Iron Fist.

Looking at his Twitter feed, Jones seems to view the world from a progressive point of view, expressing sympathy for the DAPL protestors, reTweeting Bernie Sander's comments on the new Trump Muslim ban "Let’s call Trump's travel ban what it is: A racist and anti-Islamic attempt to divide us up."

Then, Jones - still expressing his progressive leanings - tweeted out Riz Ahmed’s speech to the Parliament about representation with the intriguing headline: “Representation is important. and here’s why.”

RELATED: Listen to Riz Ahmed's speech about inclusion
Jones' tweet raised some eyebrows because Jones didn’t seem to recognize the irony that his upcoming role is yet another prime example of white exceptionalism: White guy goes to Asia, learns an Asian martial art, and is better than his Asian mentors. Hi-ya!

The back-and-forth between Jones and Haron was civil enough, with Jones trying his best to give what seems to be a sincere defense of his selection as Danny Rand but completely overlooked the basic critique that the white character would have worked just as well - even better say his critics - as an Asian character.

When Jones wrote that the show was “the most diverse” one out of the Marvel-Netflix bunch, Haron replied, “That’s great and all but you do see why Danny Rand being white is problematic right?”




For readers who are new to this topic, the debate goes back a few years when Marvel and Netflix first announced their partnership. Fanboys and fangirls got all excited about the prospect of Jessica Jones, Luke Cage, Daredevil and Iron Fist coming off the comic book pages of Marvel and into their living rooms.

As the first three series debuted to critical acclaim, the debate about Iron Fist's cultural appropriation began to appear. Keith Chow of Nerds of Color began a campaign to turn Danny Rand into an Asian character since everything about his life's philosophy and his fighting techniques were Asian in origin. It made perfect sense.

The conversation became even more meaningful with the rising debate over the lack of diversity on television and the movies, particularly the absence of Asians in the media. The casting switch began to gain momentum among other bloggers and online sites, including a petition drive by 18MillionRising.

The loss of one white superhero by turning him into an Asian seemed like a logical, reasonably modest proposal since the vast majority of television characters are white. Who would miss one superhero among the pantheon of white superheroes: Captain America, Thor, Spider-Man, Iron Man, the Hulk, Wolverine, Daredevil and the list goes on and on and on.

The argument gained steam among AAPI circles and it would have been a marvelous example of thinking out-of-the-box in order to address the lack of diversity among superheroes.). Unfortunately, Marvel insisted in keeping Iron Fist close to the source material. (Sticking to the tired rope of a rich, white man who has the money, time and inclination to become a hero, ala Green Arrow, Iron Man, Batman).

Jones tried to divert the conversation by pointing out the strong women characters of Colleen Wing (Jessica Lu Henwick) and Claire Temple (Rosario Dawson). The two women of color who play important roles in the Iron Fist world of dark, dangerous New York, but still - they are secondary characters.

Talking about cartoon characters may seem much ado abut nothing and would be easy to pooh-pooh. But I can tell you - as an Asian/American growing up seeing all that is good emanating from being white; where the only people who looked like me on television were maids or chauffeurs; where stories centered only on white characters (saying the stories of people of color are of no importance); it is vitally important to developing a positive self-image and aspiring to dream and hope beyond what's expected.

For her views, Heron got a lot of blowback from trolls so we'll give her the last word:

“But this conversation was about a white lead who is centered around Asian culture. We see this for the live action version of Ghost in the Shell. There was The Great Wall starring Matt Damon, as well as Tilda Swinton cast as The Ancient One in Marvel's Doctor Strange. Danny Rand was created in a time where the white savior trope was getting popular. People didn’t see the racist connotations back then. Times are changing, and these comic books have to adapt as well.”


SIDENOTE:



One of the good things coming from Iron Fist will be the introduction of Rand's ally, Colleen Wing, who will be played by Jessica Henwick (Game of Thrones, Star Wars: The Force Awakens), an early contender for the Anna Award for "Badass of the Year." In an interview on Collider.com, Henwick was asked about her Iron Fist role. She said: 
"For me, when they approached me about Colleen, I was a little bit like, huh, do I want to play an Asian woman who does martial arts who’s a love interest? Do I want to do those three things? Because I’ve always shied away from it. In fact, I’ve shied away from playing Asian characters, if you look back I’m playing characters that have no relevance to my ethnicity. But I reached a stage last year where I said, I want to start telling Asian stories, I want a young Asian girl to go, oh my god, that reminds me of my relationship with my mom. So I had some concerns, and Jeph Loeb rang me and he said, 'We’re going to take the stereotype, and we’re going to – we’re not going to avoid it, we’re going to inspect it.' For example, she is, I don’t know how many episodes you’ve seen, she’s a martial artist, she fights in fight cages, we’ve seen that before. What happens when you become addicted to that? What happens when you can only talk with your fists and you struggle to communicate on any other level and you’ve become addicted to fighting? So we’ve taken this stereotype and we’ve said, OK, what is the actual realism in it? You know? Which was interesting to me." 
RELATED:

Saturday, July 23, 2016

Comic Con panel will discuss Asian Americans in comics, movies

#Supe

IF YOU are in San Diego for Comic Con 2016, one of the highlights for Asian/American delegates is happening this Sunday, July 24. 

Super Asian America  will feature some heavyweight writers: Gene Yang (New Superman), Peter Shinkoda (Daredevil), Keith Chow (Nerds of Color), Sarah Kuhn (Heroine Complex), Christine Dinh (comics branding professional), and other comic book titans discuss the ever-evolving state of Asian Americans in media. Moderated by Mike Le of Racebending.

It should be a very interesting panel which will most likely touch on topics such as the #WhiteWashing of Asian characters in the movies and the growing diversity of comic books including Asian/Americans with super powers.   
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Monday, June 20, 2016

It's a bird! It's a plane. It's ... an Asian American! On superheroes of color


Cindy Moon becomes Silk, the first Asian/American female comicbook superhero, who's also socially awkward.

IT'S A BIRD. IT'S A PLANE, IT'S ... an Asian American Super-man, with all the powers of the original Superman, but his secret identity is Kenan Kong.

While most of the attention on diversity in the media has been centered on #OscarsSoWhite and #WhitewashedOut for the lack of roles for actors of color, the same question has been circulating around the comic book universe for a couple of years.
EDITOR'S NOTE: This topic has been extensively discussed for years at the Nerds of Color website and for a more in-depth analysis, I suggest clicking over to that site.
I don't read the comics as extensively or devotedly as I did when I was younger when I would walk the five blocks to our corner store and read the latest editions of comic books for free (A belatedly thanks to the tolerant owner of the Parkside Market.) to follow the adventures of Batman and Superman.

Super-man: Debuting in July
In college -- yes, college -- I discovered Marvel and the complicated characters of angst-ridden Spiderman, guilt-ridden Thor and the lonely Silver Surfer. The art and was amazing. The frames were like watching a movie with closeups, wide shots and quick cuts. They popped off the page.

Late night discussions during college (encouraged by a couple of beers) didn't always center around life, death, Vietnam or existentialism, sometimes  in half-seriousness, we'd weigh the probable fate of our superheroes.

When I became an adult and faced the realities of paying rent, paying off loans and putting food on the table, I lost touch with comicdom.

So while I was away ... the world of comics and superheroes drastically changed. Now, some of my favorite characters are on the big screen and in the comics themselves, superheroes of color have been introduced. A few are Asian/American  including the new Man of Steel and the Hulk.

Kenyan Kong joins a growing stable of superheroes of color, though many of them have been unable to grow beyond their mantles, according to cultural critic Keith Chow, founder of the cultural criticism site The Nerds of Color and editor-creator of the two "Secret Identities" collections.

RELATED: Kenan Kong is only part of the DC Comics 'Rebirth' of its iconic characters.
Marvel's current Hulk is Korean/American Amadeus Cho; African/American Sam Wilson is one of two Captain Americas; the Asian/American Cindy Moon is the female Silk with Spiderman-like powers,  Miles Morales is an Afro-Latino Spider-Man;; and the teenage Pakistani/American Kamala Khan is the current Ms. Marvel. But only the latter two have become very strongly associated with their superhero mantles, Chow said. 
"Now when you say Ms. Marvel, you're associating it with Kamala Khan and not necessarily ([the first Ms. Marvel) Carol Danvers," Chow told NBC News. "For a segment of the population, their Spider-Man is Miles Morales. That's a character that's not going away to the dustbin of history. "

"Super-man," (Can we do away with the hyphen already?) is being penned by Gene Luen Yang, a graphic novelist with a long list of credits including "American Born Chinese," which was nominated for Book of the Year in 2006. For the past year, he's been writing the Superman stories for DC Comics.

While most of the above reboots of traditional superheroes have been out for some time now, the new "Super-man" is set to debut in July this year.

None of the superheroes I read in the comic books looked like me - not that wanted to be a superhero, but the lack of Asian/Americans in the American pop melieu cut me off from what I considered to be my home. It reinforced the feeling that I did not belong nor was I a part of American society, my town, my school and not even in the make-believe world of comic books.

Things have changed - are changing - for the better, I think. I'm sure there will be some Asian American kids reading about the adventures of this new crop of superheroes who will at last see characters who look like them. Today's superheroes are imperfect. They have flaws and often are dealing with the same feelings of exclusion and angst that young people of color, sometimes feel.  


Sana Amanat, the Marvel exec who created Kamala Khan/Ms. Marvel, recalled those feelings last week at the United State of Women summit at the Washington Convention Center. The Pakistani/American was on a panel focusing on diversity in the media, and she shared the stage with such other leaders as Gloria Steinem, TV’s Shonda Rhimes and “Muslim Girl” editor Amani Al-Khatahtbeh.

“When you grow up being very conscious of the fact that you are the ‘other,’ it cultivates a sense of uncertainty and shame within you that can take a long time to overcome,” Amanat tells The Washington Post. “My desire to be ‘white,’ while covert, fed a delusion in my self-identity that I only broke away from towards the end of high school and truly in college.”

With the introduction of Kamala Khan, Kenan Kong, Cindy Moon, Amadeus Cho and others not mentioned here, hopefully the AAPI kids reading the comic books of today won't have to be alone in the sometimes gut-wrenching search for identity. They'll have superheroes who look like them as guides.


Television and films have a ways to go to catch up with the comicbooks. For those two mediums, it is too easy and creatively lazy to recast superheroes to the default white guy. In the meantime, I've got a lot of catching up to do.


Kamila Khan, just your ordinary Muslim/American teenager struggling to fit in.

EDITOR'S NOTE: For additional commentary, news and views from an AANHPI perspective, follow @DioknoEd on Twitter or at his blog Views From the Edge.