Showing posts with label #APAEverywhere. Show all posts
Showing posts with label #APAEverywhere. Show all posts

Wednesday, November 23, 2016

Maya Lin receives Presidential Medal of Freedom


PRESIDENT BARACK OBAMA awarded Presidential Medals of Freedom to 21 individuals  who have exemplified the best of America.

The majority of the medals, the highest award bestowed to non-military citizens, went to celebrities in sports and the arts, including artist Maya Li.

President Obama and Maya Lin
An artist, Lin is perhaps best known for designing the Vietnam Veterans Memorial in Washington. 

Maya rose to fame when she was chosen as the designer of the Vietnam Veterans Memorial in Washington, D.C., now known as The Wall.

The Vietnam Veterans Memorial is composed of two walls spanning 246 feet in length that stand as a testament to human sacrifice. Etched upon it are the names of the more than 58,000 men and women who died or remain unaccounted for from the Vietnam War. It is one of the most poignant memorials in America.

At the time, the Vietnam War was the nation’s longest war and one of the most divisive. America was in search of healing and reconciliation. In 1980, a national design competition was launched. The winner was an unknown Maya Lin, a 21-year-old undergraduate student from Yale University. The design would be “a long, polished, black stone wall, emerging from and receding into the earth.”

After Maya Lin’s design was chosen, outrage ensued. Many were offended by its nontraditional design. Its color, black, was detested for its “sad” and “negative” connotation. It was referred to as a “black gash of shame” and a “degrading ditch.” Many also felt that an Asian-American should not be the designer.

Jim Knotts, CEO of the Vietnam Veterans Memorial Fund released a statement on the President's recognition of Lin:

“The Vietnam Veterans Memorial Fund will be forever grateful for Maya’s artistry. Her design of the Vietnam Veterans Memorial was controversial when it was first introduced to the public, but 35 years later, her design has proven to be a remarkable piece of art that has changed the way a nation mourns. We continue to see Vietnam veterans start or continue their healing process when they stand in front of The Wall. And younger generations continue to be awed by the scope of the sacrifice as the walk the long walls and realize every name is a life cut short. They begin to learn what it means to serve our country. The Wall, through it’s simple but brilliant design, helped to heal a generation and our nation. The Wall began a body of work in both art and architecture that will continue to impact our country for generations to come. It is wholly appropriate that we recognize Maya Lin for her contributions with our nation’s highest civilian honor.”

The White House said, “A committed environmentalist, Lin is currently working on a multi-sited artwork/memorial, What is Missing?, bringing awareness to the planet’s loss of habitat and biodiversity.”

"I am so saddened by the stated goals of the incoming administration to dismantle the environmental protections that have made our water and our air and our communities safer and cleaner, and that (President-Elect Donald Trump) threatens to renege on the Paris Climate accord—which would be ... a disaster for us both ecologically and economically," she told NBC News.

The brilliance of Maya Lin's Vietnam Memorial: Visitors see themselves reflected in the black granite wall.




Wednesday, October 26, 2016

White House celebrates Filipino American History Month

A dance troupe from California performed indigenous dances from the Philippines at the White House celebration.
WHAT? You didn't get invited to the White House celebration of Filipino American History Month?

You're not alone. Apparently, my invitation must have gotten lost in the mail so I missed the five-hour event.

However, through the courtesy of the White House Initiative on Asian Americans & Pacific Islanders and Youtube, you get to watch the whole thing below:



The emcee is Billy Dec, a Filipino/American restaurant owner and entertainer based in Chicago, and member of the President's Advisory Commission on Asian Americans & Pacific Islanders.

The event features Filipino/American artists as well as discussions with prominent celebrities and Administration leaders on issues such as education, veterans, health, and immigration. If you want to see and hear Apl.de.ap's performance, click here.


The audience had to start lining up at 6:45 a.m. to gain access to the White House. I assume the Filipino/Americans arrived on time, right?

Five hours! That's a long time to sit through speeches, panels and some cultural presentations. There had to be some food in the back, right? Did they let the guests have baon (take-home food)? Did they break out the Karaoke at the end?
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Tuesday, August 23, 2016

HBO sponsors Asian Pacific American Visionaries Short Film Competition

HBO
DO YOU THINK that someone has noticed the rising number of Asian/American directors helming some of today's commercially successful and critically acclaimed movies?

Maybe that's why HBO is launching a talent search especially directed at AAPI filmmakers.

"At a time when the most personal of stories are also the most universal, the diversity of our storytellers is more important than ever," stated Jackie Gagne, VP Multicultural Marketing at HBO. "Our competition is designed to celebrate the unique experiences and unsung talent that exist within the Asian Pacific American community."

Sure, we have a ways to go to achieve any sort of parity, but we also have to admit, Hollywood has never seen this level of influence of Asian and AAPI directors and producers.

A lot of it has to do with America's moviemakers trying to make their product more appealing to the Asian market, which if it reaches its potential, would dwarf the American market. Along the way, studios led by decision-makers unfamiliar with Asia, have made some embarrassing, and frankly, stupid, mistakes.
RELATED:
At any rate, studios can no longer say there isn't any talent among AAPI filmmakers, Just to name a few:  Justin Lin (Star Trek Beyond and Fast & Furious), Mira Nair (Monsoon Wedding), Ang Lee (Life of Pi and the forthcoming Billy Lynn’s Long Halftime Walk, John Chu (Crazy Rich Asians), James Wan (Aquaman), Taiki Waititi (Thor: Ragnarok), Wayne Wang (Joy Luck Club, Because of Winn Dixie), Gurinder Chadha (Bend It Like Beckham, Paris, Je T'aime), James Wan (The Conjuring) and Cary Fukunaga (Beasts of No Nation & he's in negotiations for HBO's Napoleon).

HBO Asian Pacific American Visionaries is a short film competition sponsored by Home Box Office, Inc. (“HBO”) that provides emerging directors of Asian and/or Pacific Islander descent (one with origins in any of the peoples of the Far East, Southeast Asia, Indian subcontinent or Pacific Islands (e.g., China, India, Japan, Korea, the Philippine Islands and Samoa) the opportunity to showcase their work.

Judged by HBO executives and a panel of industry experts, the competition seeks to identify cinematic storytellers who offer unique perspectives of the Asian Pacific American experience.

Three films will be selected to make their premiere at the Los Angeles Asian Pacific Film Festival in April 2017 and offered the opportunity to license their film to premiere exclusively on HBO (and/or its on-demand, digital and/or social platforms) during Asian Pacific American Heritage Month in May 2017.

Winners will be announced in January 2017. Film premieres will be at HBO's sole discretion.

To help publicize the contest, HBO has produced a promotional video, below, featuring Silicon Valley star Jimmy O. Yang encouraging AAPI directors to submit their films.


"It's inspiring to see a global entertainment brand like HBO take a leadership role in creating opportunities for Asian Pacific American filmmakers," said Francis Cullado, executive director of Visual Communications, the organization that produces the Los Angeles Asian Pacific Film Festival. "The exposure provided for the winners of this competition is truly incredible and worthy of our community's full support."
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Monday, August 8, 2016

Bill Clinton, Gary Johnson will appear at AAPI Presidential Election Forum, Aug. 12



During the DNC convention, former President Bill Clinton spoke glowingly of his wife, Democratic nominee for
President of the U.S., Hillary Rodham Clinton.
Reprinted from AsAm News
FORMER President Bill Clinton and Libertarian presidential nominee Gary Johnson will address Asian American and Pacific Islander (AAPI) groups on Friday, Aug. 12, at a presidential election forum co-hosted by APIAVote and the Asian American Journalists Association (AAJA) in Las Vegas.

Bill Clinton will be representing Democratic presidential nominee Hillary Clinton, and APIAVote and AAJA have noted that they've also awaiting word from the Trump campaign for their possible participation in the historic event.


Libertarian candidate for President,
Gary Johnson.
"This tri-partisan AAPI Presidential Election Forum is historic," Paul Cheung, AAJA president, wrote in a post on AAJA's website. "For the first time, the Republican, Democratic and Libertarian presidential campaigns will directly speak at the same event to the AAPI community at large."

RELATED: Top ten reasons to go to the AAJA convention
Rep. Judy Chu, chair of the Congressional Asian Pacific American Caucus (CAPAC), and Rep. Mike Honda are also expected to speak at the forum, which is scheduled to take place Friday, August 12 — during the annual AAJA national convention — at The Colosseum at Caesars Palace in Las Vegas, Nevada.

According to AAJA, nearly 4,000 community leaders and journalists are expected to attend the forum, in addition to "watch parties" hosted across the country by AAPI community groups.

The forum will take place one week after Hillary Clinton addressed a joint gathering of the National Association of Hispanic Journalists (NAHJ) and the National Association of Black Journalists (NABJ) in Washington, DC. According to NAHJ and NABJ organizers, Trump declined their invite to address the groups.

Hillary Clinton has previously addressed the AAPI community during her campaign. In January, Clinton spoke at the launch of her campaign's official AAPI outreach efforts, AAPI for Hillary, as well as at a gala in May hosted by the Asian Pacific American Institute for Congressional Studies (APAICS).

The AAJA convention begins Aug. 10 and is still accepting registration at the door at the Ceasar's Palace convention center.
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Tuesday, July 26, 2016

DNC: Day 2 of a Diary of a Clinton volunteer - A message to Sanders supporters

Actress Constance Wu of 'Fresh Off The Boat' spoke to the AAPI people at the Democratic National Convention.
By Nick Lee
Reprinted from AsAm News


AS A VOLUNTEER, I knew we would hit the ground running the first day of the Democratic National Convention (DNC), but I was not entirely prepared for exactly how fast. We started work at 9 am and after a short meeting we headed straight downstairs to the Asian American and Pacific Islander (AAPI) Caucus, essentially a rally for the AAPI Democrats in attendance at convention. Armed with an iPhone and the Periscope app, my job was to get as close as possible to the stage and livestream the event without my arm giving up on me. This gave me a front row view to the speakers and their messages to the AAPI community.

The best way to describe the atmosphere at the AAPI Caucus was one of excitement, excitement at the prospect of a new day for AAPI visibility in this election. For many of the local delegates and volunteers from around the country, seeing so many AAPIs in one room that are equally passionate about politics must have been an uncommon occurrence. Congresswoman Judy Chu’s favorite line that “we are going from being marginalized, to becoming the margin of victory,” was received with cheers and applause from the collection of delegates and supporters who gathered around.

RELATED: Diary of a Clinton Volunteer - Day 1
Congressman Mike Honda also delivered powerful remarks that celebrated how far the party and our community had come by speaking directly to AAPI historical experiences. He proclaimed, “If we had a [Democratic] party like we have today, I would have never been sent to [the internment] camp. If we had this Democratic Party back in the 1880s we would not have had the Chinese Exclusion Act. If we had parties like this, with our sentiment, Native Americans would have a better break, Native Hawaiians would have a better break.”


Nick Lee
Constance Wu also spoke out about the growing power of AAPI choice from her perspective as an actress on the hit sitcom Fresh Off The Boat . She attributed the rise of new shows prominently featuring Asian Americans as a product of increasing Asian American power. “This shows that Asian American voting and attention matter,” she explained. “They would have never picked up those other shows if our show hadn’t garnered a large audience that was really hungry for that content.”

Being in that room, surrounded by dozens of other AAPIs who were equally excited about a Democratic victory in 2016 helped lend credence to the theme of the Caucus: “Our Time Is Now”. There is a hunger in the AAPI political community to be legitimized in the eyes of the media, government, and larger political sphere. In the words of Congressman Ami Bera, “We’re a rising electorate. This is a coming of age election for the AAPI community. Let’s make 2016 our year.”

Later on that night, I received credentials to see some of the brightest superstars of the Democratic Party speak. Even though I have called DC home for two years and hardly blink when I see a Congressman, I was left mesmerized by the power that they brought to the arena. Sen. Cory Booker, Sen. Elizabeth Warren, and Michelle Obama all laid out powerful progressive visions of an inclusive society formed on tolerance, justice, and fairness; a vision that appealed to my liberal instincts and did not shy or back away from issues.

RELATED: AAPI delegates, guests & elected meet at the DNC
However, what spoke to me most powerfully from the evening was seeing a crying Bernie supporter on the Jumbotron, as her candidate spoke fervently about the need to support Hillary in November. In that moment, I saw myself in her eyes and realized how hard all of the Sanders supporters present must have worked to try and get their candidate the nomination, and also how incredibly disappointing it must be to never reach your highest ambition. I thought back to those late nights spent making phone calls to strangers and striving to get Hillary the nomination, and remembered that they must have done much of the same.

Even though I still strongly believe Hillary would be the best president, I sympathized with the Bernie camp and their struggle to try and enact their vision of progressive change in America. Today reinforced the notion that the goals and ambitions of a Clinton presidency are far more similar than they are different from Bernie’s. Bernie’s campaign slogan “A Future to Believe In” spoke to me, because I felt that last night was an important step in healing the differences of the past and uniting in a common goal. I am looking forward to working with Bernie supporters going into November, where we need their passion and hard work to ensure that there is a future that we can all believe in.
(Nick Lee of Chinese Americans for Hillary will be sharing his thoughts all week with AsAmNews readers.)

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Wednesday, July 13, 2016

Heroine Complex: A graphic novel with not one, but, two Asian/American superheroines

Cover by Jason Chen
By Karin Chan
Reprinted from AsAm News


AUTHOR SARAH KUHN'S latest book, Heroine Complex, features two Asian/American superheroines who defeat demonic cupcakes and bring wrongdoers to justice in San Francisco. The first book in this trilogy was released this month and explores the dynamics of personal assistant Evie Tanaka and superheroine boss Aveda Jupiter.

Kuhn spoke with AsAmNews about why it is important to depict “Asian girls having fun” in fiction, such as childhood friends and crime-fighting duo Evie and Aveda.

Kuhn, who is half-Japanese, defeated some of her own demons to overcome the pressure she felt to write characters that represented Asian Americans in comics.

She will be featured in some panels at Comic Con, which runs July 21-24 in San Diego. She will be stopping in other cities such as New York City and Salt Lake City this summer and fall.

RELATED: It's a bird. It's a plane. It's ... and Asian/American!
The interview follows:

You’ve written on Angry Asian Man that your book is about “Asian Girls Having Fun.” What does that mean to you?

That means they are allowed to do things that protagonists are allowed to do. I felt like a lot of stories about women of color, in those stories, we do tend to be beat down and it’s usually not a super fun time. It’s important to show that Asian American women are worthy of love. They are worthy of being centered and get to do all the same things that white protagonists do.



Sarah Kuhn
What do you and your self-described Asian geek girl gang do for fun?

We do things like see Star Wars: The Force Awakens a million times. We get together and shop a lot for geeky fashion. Sometimes we do things like podcast together. My friend Jenn actually made cupcakes for my launch party. There is a scene with demonic cupcakes and I was dying to see what she would come up with. She also did these cupcakes that were tiny bowls of lucky charms and a frosting that simulated the milk, and said “Heroine Complex” on the handle.

What is the significance of Lucky Charms in the story?


There is something that happened in Evie’s life that had to do with her destructive power that made her realize she wanted control in her life. She starts eating Lucky Charms all her meals to find control.

How does your hapa identity relate to the stories you write?


The main character Evie is hapa, and has my racial identity—she is half Japanese. It comes in the little ways that your identity influences any experience. So growing up, I ate a lot of food that was the ideal “Asian American” food—like a teriyaki hot dog. It’s all very mixed up with different cultures together.

RELATED: Author critiques fashion sense of super heroes
Part of the Japanese side of my family is based in Hawai’i. One of her childhood favorites foods is spam musubi. Spam musubi is one of those foods that is kind of influenced by several different cultures. It’s a classic food for Hawai’i and a lot of Asian Americans.

What are “rep sweats,” and how did you reconcile with them? (via The Toast)


You don’t know what that representation is going to be. It’s very nerve wracking since there aren’t a ton of Asian American properties. I had rep sweats from the creator side. There aren’t many Asian American superheroine starring properties. Other Asian American readers would get excited. I would be excited but still get that sick throw-up feeling because what if I didn’t give them the representation they wanted.

It’s OK to have “rep sweats.” You can’t let them consume you. It’s OK to let your work matter and think about the representation you’re putting out there.

Tell us about the “Difficult Female Friendship” you created for characters Evie Tanaka and superheroine boss Aveda Jupiter (Annie Chang). (via Mary Sue article)


The premise of the book is that Evie is a personal assistant. They have a Devil Wears Prada thing going on. They develop a symbiotic relationship. They are childhood friends. If you don’t work on your friendship, then it can become very unhealthy. They are stuck in the roles they have been in since childhood. Aveda is diva-ish and overpowers her a lot.

Evie has the stronger power, but her personality isn’t what you’d think of as a classic badass superheroine. How does someone grow into that power and use it for good?

What is special about the cover art?

It’s by an artist named Jason Chan. He’s done a lot of book covers. He’s an amazing artist. What I love about it is—he actually wanted to paint the demonic cupcakes scene. It’s exciting and comic-booky. It’s a cover with two Asian/American women and they look different from each other. They look how they are described in the book and their personalities show through. It’s a perfect representation of what is inside.

"Heroine Complex" is the first book in a series. What do you hope to accomplish in the next few installments?

The second book is in the perspective of Aveda, who is the diva boss in the first book. The third book has a different perspective. I really like romance novels. Every book has a new arc, protagonist and couple. I want to explore different perspectives of Asian/American women that exist in this world.

(This interview was edited for length and clarity.)

Sunday, July 10, 2016

Undocumented Asian immigrants eligible for DACA. not taking advantage of program


Asian/Americans demonstrated in support of President Obama's immigration reform policies that were being reviewed by the U.S. Supreme Court last Spring.


Reprinted from AsAm News


Annette Wong, Chinese for Affirmative Action
 Director of Programs, speaks at a DACA press conference
in San Francisco 
.
MUCH CONFUSION and uncertainty may be overwhelming undocumented immigrants seeking a path to citizenship, reports New American Media.

Last month’s 4-4 split decision in the U.S. Supreme Court was a blow to DAPA (Deferred Action for Parents of Americans and Lawful Permanent Residents) and the expanded DACA (Deferred Action for Childhood Arrivals) programs.

Still in effect is the original DACA program which protects eligible undocumented immigrants from deportation for two years and allows them to work legally in the United States. Those that qualify must have entered the United States before age 16 and be under the age of 31. Expanded DACA would have eliminated the upper age limit.
RELATED: Asian/Americans condemn SCOTUS  ruling on immigration
Many of those who were under the original DACA program must now renew their application as their two years is nearing an end. However, with the uncertain political climate, some have expressed fears that they may put themselves in jeopardy if the new president ends DACA.

“There is no evidence of this,” said Sally Kinoshita, deputy director of Immigrant Legal Resource Center. “There have been numerous programs like this, and there is no evidence of the government going after you.”


Since 2012, 728,000 have received DACA, however researchers say Asians have been severely underrepresented in the applicant pool.

Only 18,000 people from South Korea, the Philippines, India and Pakistan have applied.

RELATED: Asians are part of the immigration debate
Among eligible Filipinos, just 24 percent have applied. The application rate among eligible Indians is 21 percent, and just 17 percent among eligible South Koreans have applied for DACA. The Chinese American application rate is so low it didn’t make the list of the top 20 countries of DACA applicants.

RELATED: Dreaming with the American dreamers
The accompanying graph from the Center for American Progress compares the application rate of those from Mexico to those from South Korea.

Some blame a cultural stigma attached to being undocumented for the low application rate among Asians. Others point to a language barrier with Asians in the U.S. having the highest rate of limited English-proficiency. Efforts among AAPI groups to increase the application rate have so far not been successful.
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Wednesday, June 1, 2016

AAPI community no longer "statistically insignificant;" multi-university grant for extensive survey

ASIAN/AMERICANS have long suffered as the forgotten minority, invisible on the American consciousness except for the ubiquitous Chinese restaurants found in almost every town in the U.S. That invisibility was  made even worse by the lack of data about AAPIs because pollsters and surveyors thought the community "statistically" insignificant. 

Despite their rapid growth and remarkable diversity, Asian/Americans remain an understudied group whose experiences and attitudes are not reflected in national polls.

All that is about to change.

Asian/Americans are the fastest-growing racial group in the United States, whose numbers are becoming increasingly influential in the world of politics, education and in popular culture. 

(clockwise from top left) Professors Karthick Ramakrishnan,
Jennifer Lee, Taeku Lee and Janelle Wong
To address this lack of information, the National Science Foundation (NSF) has awarded a multi-campus team of researchers a $507,132 grant to undertake the most extensive study of Asian/Americans to date.

The team includes Karthick Ramakrishnan, associate dean of the University of California, Riverside School of Public Policy and professor of public policy and political science; Jennifer Lee, professor of sociology at UC Irvine; Taeku Lee, professor of political science and law at UC Berkeley; and Janelle Wong, professor of American students and director of the Asian American Studies Program at the University of Maryland.

The study will expand upon the National Asian American Survey (NAAS), which was founded in 2008 and repeated in 2012. The NAAS is a scientific and nonpartisan effort to poll the opinions of Asian Americans and Pacific Islanders, and is the only nationally representative academic survey of this population. NAAS 2016 will focus on three core themes: (1) immigrant and second-generation incorporation; (2) race and ethnic relations and attitudes; (3) civic and political participation. Findings from the survey, which will be released in 2017, will prove an accurate portrait of the Asian American population, dispel myths, and correct misconceptions about the group.

“NAAS 2016 will allow researchers to study Asian Americans, who are often ignored in research projects because of their small and statistically unreliable sample sizes in other national and longitudinal surveys,” explained Ramakrishnan, the principal investigator on the NSF-funded project. “The results also will enable us to compare Asian/Americans with three more thoroughly studied groups: African/Americans, Latinos, and non-Hispanic whites.”

The researchers plan to conduct their study in 2016 and release the data to the public in summer 2017.

“The Asian American population is rapidly growing and changing, and with NAAS, we have a unique opportunity to study dynamics like intra-racial attitudes. Never before has a survey focused on how Asian ethnic groups view each other, and how they construct an Asian ethnic hierarchy,” said Jennifer Lee, co-principal investigator on the project.

Taeku Lee, another co-principal investigator, added, “Arguably the nation’s most dynamic and diverse population, the views and experiences of Asian/Americans and Pacific Islanders remains largely relegated to the shadows. With data from this quadrennial project, the 2016 NAAS promises to shed critical light on the social, economic, and political life and civic engagement of AAPIs.”

Researchers will survey approximately 3,600 individuals representing the six largest U.S. Asian ethnic groups, who account for more than 80 percent of Asian/American adults – Asian Indian, Chinese, Filipinos, Koreans, Japanese and Vietnamese. The telephone survey will be conducted in at least 11 languages, which is critical since more than 70 percent of Asian/Americans were born outside the United States.
_________________________________________________________________________
________________________________________________________________________

Participants will be asked about personal experiences and attitudes related to immigration to the United States, inter- and intragroup relations and attitudes, civic and political involvementparty affiliation, voting behavior, health and financial status, racial and ethnic identification, discrimination, stereotypes, beliefs about racial and class-based inequality, and affirmative action.

Between 2000 and 2010, the Asian/American population grew at a rate of 46 percent, compared to a 10 percent growth rate for the overall U.S. population. Asian/Americans and Pacific Islanders continue to exhibit the fastest population growth rates, and now number over 20 million residents, or more than 6 percent of the U.S. population.

Fueling their growth is immigration. China and India are now the top sending countries for immigrants to the U.S., moving ahead of Mexico. By 2065, demographers estimate that Asian/Americans will comprise about 14 percent of the U.S. population. As a share of voters, Asian/Americans have been the fastest-growing electorate over the last five presidential elections, increasing from 1.7 million voters in 1996 to 3.9 million by 2012.

Accompanying their growth in numbers is their growing diversity. Asian Americans comprise more than 20 distinct ethnic groups and exhibit greater socioeconomic diversity than any other U.S. racial group.

For example, while Indians, Chinese, and Koreans exhibit higher levels of educational attainment than all U.S. groups, including native-born whites, Cambodian, Laotian, and Hmong have lower rates of high school completion than African/Americans and Latinos. Immigrants from India and China make up the majority of high-skilled visa holders in the U.S., and these groups not only bring much-needed skills, but also racial, ethnic, religious, and cultural diversity to the U.S., and its STEM and technology sectors. At the same time at the opposite end of the economic spectrum, Asian/American immigrants also constitute a significant share of low-wage workers concentrated in the restaurant and personal-service industries.

These characteristics make the study of Asian/Americans essential to gaining an understanding of social, legal, and economic processes like immigrant and second-generation incorporation, inter- and intra-group attitudes, racial formation and change, and civic and political engagement, Ramakrishnan said.
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Wednesday, May 11, 2016

The Mindy Project finally addresses Mindy's ethnicity and heritage

A scene from The Mindy Project's "Bernardo and Anita" episode that explores the character's immigrant roots.
IN THIS WEEK'S episode of “The Mindy Project,” our favorite OB-GYN, Mindy Lahiri, proclaims she is an Indian/American and refuses to acknowledge what her colleague thinks of her—an entitled white man.

It too four years, but with “Bernardo and Anita,” the 18th episode of the fourth season, producer and lead actor Mindy Kaling finally addresses the biggest issue and critique the show has gotten—her character doesn’t date Indian men, or men of ethnicity for that matter, and doesn’t really discuss her culture on the show (mainly because she doesn’t know much about it).

I won't go into too much detail about the plot line, but just let me tell you, she discovers that she's a coconut, you know, brown on the outside and white in the inside.

When The Mindy Project debuted on the Fox network, it was highly praised for having a person of color star in a sitcom on American TV.

But Indian/Americans - and other Asian/Americans - were soon disappointed because though the sitcom starred an Indian/American, it might as well have been a white woman because the show never addressed or acknowledged her ethnic roots. In fact, at times it seems that the show seemed to deliberately steer away from that topic. This episode will finally address that criticism.


In a 2013 interview with The New York Times, Kaling said that “I knew if I was going to have my own show, I’d have to do it myself. Because no one is going to write a show for a chubby brown woman. It’s hard enough to make it if you’re a thin, conventionally attractive woman. I also knew I was only going to be good at certain things… So I just thought: I’ll do it myself.” 

Despite that criticism about never being about an Indian/American woman - and the fact that her character only dated white men - The Mindy Project was an important landmark show for its groundbreaking star. Not only was she a thirtysomething woman running her own sitcom, starring herself, but she’s an Indian woman doing so. What’s so amazing about Kaling is how she took those differences, those ways she varies from convention, and steered them into the greatest assets of her show. She should only do so more. 

Perhaps, when the show was dropped by Fox and picked up by Hulu, Kaling has the latitude to be more adventuresome with her storylines.
RELATED: Mindy Kaling's show picked up by Hulu
This episode shows that the exploration of this side of Mindy’s status is valuable, and will hopefully offer more opportunities like this one, since her show has been renewed by Hulu for a fifth season.

The episode explores how immigrants raise their children and will no doubt draw comparisons to Aziz Ansari's Master of None episode about his immigrant parents. Let's not fall into that trap of which one is better at addressing the issues of immigrants and their children caught between two cultures as brown people in a culture dominated by European/Americans. Let's just welcome home the prodigal daughter.
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For more news about Asian/Americans and Pacific Islanders, read AsAm News.

Tuesday, May 10, 2016

'Fresh Off The Boat' star meets White House executive chef


HUDSON YANG, one of the young stars of ABC's Fresh Off The Boat, sent this tweet during his visit to the White House. She met Cristeta  Comerford, the White House's executive chef who has served in that position for three presidents. Or, as Hudson calls her, "The Filipina Commander-in-Chef."
RELATED: Adobo and lumpia in the White House
Young Hudson was in Washington D.C. to celebrate and take part in the myriad ceremonies surrounding Asian American & Pacific Islander Heritage Month.

Based on his tweets, it looks like he had the run of the place. Perhaps, sometime in the future he'd like to live there for a few years?





Thursday, March 3, 2016

Student journalist Tim Tai to receive First Amendment Award

Student journalist Tim Tai was confronted at the University of Missouri protest.

By Louis Chan
Reprinted from AsAm News


A student journalist who stood up to a teacher and belligerent protesters to defend his First Amendment rights will receive an honor normally reserved for seasoned professional journalists.

Tim Tai of the University of Missouri will be honored this month along with former NBC News anchor Tom Brokaw, CBS Cami McCormick, the Washington Post’s Jason Rezaian, NPR’s Robert Garcia, and E.W. Scripps’ Rich Boehne at the First Amendment Awards Ceremony in Washington, D.C.

The award presented by the Radio and Television Digital News Association “is presented to an individual or organization who takes a public stand in support of press freedom.”

The student photographer was shooting photos of a protest on campus when assistant professor Melissa Click tried to stop Tai from taking pictures and urged the student demonstrators to use “muscle” to keep the journalist away.

“The first amendment that protects your right to stand here protects mine,” said Tai to someone who asked him to leave.

UPDATE: Melissa Click was fired from her position last week.
He recently testified in support of a bill that would limit the reasons for blocking publications in student-sponsored media.

Tai was born and raised in St. Louis and has been an intern at the Tulsa World and the San Antonio Express-News. He has been honored as the College Photographer of the Year and by the Associated Collegiate Press, the Hearst Journalism Awards and the Missouri Press Association.

The video below shows the confrontation.


Wednesday, February 24, 2016

Feb. 25, 1986: Anniversary of People Power & the overthrow of the Marcos dictatorship

Millions of ordinary Filipinos found the courage to gather on EDSA demanding the end of the Marcos dictatorship during the Philippines  People's Power Revolution of 1986.

THIRTY YEARS AGO, the world watched the news on television to witness a bloodless revolution taking place in the Philippines. Filipinos in America watched in awe as Filipino nuns knelt before tanks as millions of Filipinos took to the streets of Manila and a dictator fled the Philippines. 

Thirty years ago, tears came to my eyes.

I was managing editor of the Philippine News based in South San Francisco, California. The PhilNews was one of the few American publications that looked behind the screen of U.S. ally Ferdinand Marcos and saw him as he truly was - a brutal dictator. It was known as the establishment voice piece of the anti-Marcos movement.

For decades, PhilNews publisher Alex Esclamado was relentless in his attacks against the iron-fisted rule of the Filipino strongman. Transcripts smuggled out of the Philippines, hours-long international phone calls and a countless array of tourists, businesspeople, friends and journalists were the newspaper's source of what was really happening in the Philippines under the reign of the Conjugal Dictatorship of Ferdinand and Imelda Marcos, also known as the Iron Butterfly.

Because the PhilNews was unapologetically one-sided in its coverage of the Philippine dictatorship, the newspaper had lost some credibility among journalistic circles. "Obviously biased" was the common description. Other Filipino American and mainstream publications would always take what was bannered in the PhilNews with a grain of salt.

It was not until mainstream media like the New York Times and the San Francisco Examiner began covering the Philippines did the world recognize that what the PhilNews was writing about was true, including the arrests and disappearances of Marcos critics, the Marcos takeover of prominent institutions, the corruption of the regime, the abject fear Filipinos were living under, and the growing enrichment of the Marcos family and his coterie of friends. (As we later learned, the evil promulgated by the dictatorship was even worse than what was described by the PhilNews.)

The tentacles of fear reached into the Filipino American community through strong-arm tactics employed by the Marcos regime. Two union and anti-Marcos activists, Silme Domingo and Gene Viernes, were murdered in Seattle by assassins under orders of the Marcos surrogates. New publications were created to compete with the Philippine News. PhilNews' big advertisers, mostly travel agencies and airlines, were ordered to withdraw their advertising as the price of doing business in the Philippines. Marcos issued arrest warrants for PhilNews writers and editors.

We should provide a shout-out to the critical role played by S.F. Examiner reporter Phil Bronstein and photographer Kim Kominich. They were in Manila at the time the protests began and somehow found their way into Camp Crame and Camp Aguinaldo, the headquarters of the military units that broke ranks and sided with the Filipino people. Their stories and pictures were broadcast throughout the world alerting the rest of the globe what was happening in the Philippines. Because of Bronstein's relationship with Esclamado, Bronstein was able to gain access to people and stories that might otherwise elude American journalists. In kind, the S.F. Examiner allowed PhilNews to reprint Bronstein's reports and use Kominich's photographs.

So on Feb. 22, 1986, American networks began covering the mass protest in Manila that grew into the People Power bloodless revolution.

I remembered being glued to the TV news reports. All of us dreading the moment when the dictatorship would strike back against the rebel military units or crush the peaceful protesters on Epiifanio de los Santos Avenue, the nickname EDSA became a name for the protests that led to the eventual Marcos departure. 

Filipino nuns stopped soldiers sent to break up the protests.
The Catholic Church in the Philippines, led by Cardinal Jaime Sin, called on all Filipinos to join the protests. Hundreds of thousands of the faithful joined the students and union activists. Priests and nuns in their collars and habits came carrying rosary beads as weapons.

Pro-Marcos troops, many of them drawn from Marcos' home province, came to Manila to confront the protestors. We held our breath waiting for the bloodletting to begin.

The nuns knelt in front of the tanks to pray the rosary as the throngs of protestors surrounded the armored vehicles. To our utter amazement, the tanks stopped. They refused to break through the ranks of religious. More military units joined the rebel forces.

Behind the scenes in the early morning hours of Feb. 25, the Reagan administration, always a supporter of Marcos, saw the writing on the wall and changed its position. Back-and-forth phone calls between Reagan officials and the Marcoses made it clear that the time had come for Marcos to give up his power. A desperate Imelda even tried her hand at negotiations with Reagan's wife Nancy. First Lady Nancy Reagan assured Imelda that the decision was out of her hands.

In the morning of Feb. 25, 1986, the Philippines had two presidents. Marcos called his supporters to the palace to witness a lackluster oath-taking. Meanwhile, at a large hall in Manila, Cory Aquino, widow of assassinated opposition leader Benigno Aquino was sworn into office by the Philippines' Supreme Court Chief Justice. Two weeks earlier, in a sham election hastily called by Marcos, Mrs. Aquino "lost" to Marcos in a highly questionable vote count. That phony election was the last straw for Filipinos.

By the evening of Feb. 25, Marcos and his retinue were flying to Clark Air Force Base, a U.S. air base, from which they were flown to exile in Hawaii. In a history-making event, the dictatorship was toppled without a drop of blood. 

Back in the United States, the Filipino/American community was divided into pro and anti-Marcos camps and with much of their energy devoted to ousting or defending the dictator,  Filipino Americans in 1986 were lagging compared to other ethnic communities and needed to strengthen their social, economic and political presence in America. Most Americans were hard put to find the Philippines on the map. 

Thirty years ago before social media, television allowed those images to reach across the Pacific and pull Filipino Americans out of the shadows and thrust into the limelight.

Those brave people in Manila raised the self-esteem of Filipino Americans and brought a pride in being Filipino that went beyond the ability to speak a Filipino dialect or whether one was born in the Philippines or the U.S. 

The small role that I played - though insignificant compared to Philippine News publisher Esclamado - in convincing America's mainstream media and politicians on the true nature of Ferdinand Marcos and his despotic regime, convinced me of the power of the written word and free press and the potential of journalism to right wrongs. EDSA and Esclamado also taught me that even though as journalists we are taught to be objective, sometimes, we have to take a stand and fight for what we know in our hearts to be right.

I designed the Philippine News' front page the next day with a huge picture taking up two-thirds of the page of millions of Filipinos massing on Manila's streets. Superimposed over the photo was the one-word headline, all-caps, "FREEDOM!"


Tanks were stopped by unarmed protesters at the Philippines' bloodless revolution in 1986.


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