 |
| The plaque adjoining the artwork, (top) was taped over. |
ASAM NEWS
The vice president of Bellevue College in Washington whited out part of a mural by a Japanese American artist depicting the incarceration camps from World War II, reports the Seattle Times.
The university is apologizing for the actions of Gayle Colston Barge who has been in her position for more than five years, according to her LinkedIn profile. The school placed Barge on administrative leave after her actions.
The mural features two Japanese American children from an incarceration camp along with a description of the horrendous experience.
According to Professor Leslie Lum, someone removed the sentence that read “After decades of anti-Japanese agitation, led by Eastside businessman Miller Freeman and others, the mass incarceration of Japanese Americans included the 60 families (300 individuals) who farmed Bellevue.”
Freeman — whose family became prominent real estate developers — owned several trade newspapers such as Pacific Fisherman, The Washington Farmer, The Town Crier and a handful others. His publications were an influential news source for businesses, but also became a platform for his anti-Japanese sentiments. Through his newspapers, he advocated for alien land laws in Washington. Freeman and others like him believed that there was no hope for Japanese people to ever become “real American.” He wrote in one Seattle Star editorial dated 1919: “Oil and water do not mix.”
The university says Barge first whited out the reference, then a new description was taped over the original.
” It was a mistake to alter the artist’s work,” school president Jerry Weber wrote in the letter sent to students and staff. “Removing the reference gave the impression that the administrator was attempting to remove or rewrite history, a history that directly impacts many today … Editing artistic works changes the message and meaning of the work.”
In a text to the Seattle Times, artist Erin Shigaki wrote “I feel the feelings associated with both sides of my family being forcibly removed from Seattle – erased, unimportant, disregarded, disrespected, shamed.”
Shikagi described herself as “traumatized” by the defacement.
The missing sentence has since been taped back over the whited-out portion.
The university says Barge first whited out the reference, then a new description was taped over the original.
” It was a mistake to alter the artist’s work,” school president Jerry Weber wrote in the letter sent to students and staff. “Removing the reference gave the impression that the administrator was attempting to remove or rewrite history, a history that directly impacts many today … Editing artistic works changes the message and meaning of the work.”
In a text to the Seattle Times, artist Erin Shigaki wrote “I feel the feelings associated with both sides of my family being forcibly removed from Seattle – erased, unimportant, disregarded, disrespected, shamed.”
Shikagi described herself as “traumatized” by the defacement.
The missing sentence has since been taped back over the whited-out portion.
Views From the Edge contributed to this report.
No comments:
Post a Comment