AAPI artists nominated for Emmys

CREATED BY GEMINI

The 2026 Emmy nominations are out, and once again, it is a mixed bag for our community. While we are seeing historic representation on one side of the ledger, the TV Academy still manages to leave some of our finest talent out in the cold.

Let’s break down the wins, the behind-the-scenes power players, and the glaring omissions that have us scratching our heads.

Actors' noted

Our community showed up in major acting categories this year. Leading the pack is Riz Ahmed, who secured a Lead Actor nod for his powerful role in Bait. 

Meanwhile, the second season of Netflix's smash hit Beef brought in major acting love: Oscar-winner Youn Yuh-jung and Charles Melton both scored Supporting Actress and Actor nominations for their respective turns in the anthological dramedy.

Over on the drama side, Sepideh Moafi clinched a Supporting Actress nod for her stellar performance in Max’s medical juggernaut The Pitt. playing Dr. Baran Al-Hashimi, a doctor taking over the ER as Noah Wiley's character prepares for a sabbatical. She is the first Iranian woman and woman from the Middle East to be nominated in the support actress in a drama series category, according to The Hollywood Reporter.

"I can’t imagine a more ideal world, show, character to have this sort of recognition with," Moafi said after she heard about her nomination. 

"Playing this woman who carries so many worlds, so many of which I can identify with in my own way, and that I’ve heard over the last several months, so many people identify with, whether it’s with her chronic disease, her chronic illness, people with disability, people who are mixed race, people who are from the Middle East or Africa, women in medicine who are in similar positions and have to deal with certain male counterparts."

FYI: The 78th Primetime Emmy Awards will air live on NBC on Monday, September 14, 2026 at 8 p.m. ET / 5 p.m. PT

Steven Yeun, who won an Emmy two years ago in the first season of Beef, landed a voice-over nomination for keeping things animated in Invincible.

True representation means having a seat at the table where decisions are made, and our behind-the-scenes creatives are dominating this year's Emmy ballot.

The Beef mastermind Lee Sung Jin, continues his historic streak, earning individual nominations for Outstanding Writing and Outstanding Directing for a Limited or Anthology Series, alongside a nod for Outstanding Limited or Anthology Series as executive producer. He's joined in the executive producers' circle by Steven Yeun, Ali Wong, Kitao Sakurai and Anna Ouyang Moench.

Destin Daniel Cretton, the Japanese American director-producer, is nominated as the driving executive producer behind Marvel’s buzzy Wonder Man.

Hiro Murai & Claudia Shin: The powerhouse duo earned Executive Producer nods for Apple TV+'s freshman comedy hit Widow's Bay.

FYI: For a complete list of the 2026 Emmy nominees, click here.

Chris Nguyen-Gia & Marian Wang: Nguyen-Gia scored a Best Drama Series nomination as a producer for the freshman drama Paradise, while Wang is back in the mix as a producer for the late-night champion Last Week Tonight with John Oliver.

Yulin Kuang: Celebrated writer-director Kuang scored an Outstanding Television Movie screenplay nomination for adapting Netflix's People We Meet on Vacation.

You can't talk about the Emmys without talking about who got left behind, and the Academy dropped the ball on several standout AAPI performances.

Should have been nominated

Isa Briones (The Pitt): In what is arguably the most heartbreaking snub of the morning, Briones was completely shut out for her role as the sharp, headstrong Dr. Trinity Santos. What makes this a bitter pill to swallow is that The Pitt actually led the entire pack with 25 total nominations—including 13 acting nods for her co-stars. How voters completely bypassed Briones's polarizing, fiercely layered performance is beyond us.

Bowen Yang (Saturday Night Live): Despite delivering a highly celebrated final run on the sketch show before his mid-season departure, Yang missed out on a Supporting Actor in a Comedy nod. The Academy chose to shut out the entire regular SNL cast this year.

Industry Cast & Crew: HBO's financial thriller was entirely shut out by the Television Academy. This means no love for Ken Leung, who has consistently turned in a masterclass performance as the complex and shrewd management executive Eric Tao.

Young Mazino & Tati Gabrielle: Both actors missed out on highly predicted guest and supporting drama nominations for their impactful roles in The Last of Us.

View from the edge

We've come a long way from the days of absolute invisibility, but as these snubs show, the fight for the Academy to fully recognize the depth of our talent continues.

What is especially noteworthy, is none of the characters played by AAPI actors, are the stereotypes that pigeonholed generations of Asian actors in Hollywood.

But there is so much more room for improvement. That's why overlooking Briones' role as Dr. Trinity Santos in The Pitt is so disappointing. There were so many moments where we saw glimpses of the life of Santos beyond the ER -- such as a white-passing Filipino American -- makes us crave  for more of her storyline to explore.

In fact, you can say that about all the acting AAPI nominees and the AAPI community as a whole. As two seasons of Beef have shown us, there's more complexity in us than Hollywood has been able to capture so far.  Hollywood's creators and artists are only starting to scratch the surface of the multiple worlds we live in and start delving into those stories.

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge. If you find this perspective interesting, please repost.

'The Pitt' takes advantage of its Asian American storylines

THE PITT
Kristin Villanueva, left, plays nurse Princess, and Amielynn Abellera portrays Perla, in the HBO Max series "The Pitt," will have expanded roles in upcoming episodes.

 The television series The Pitt, has been praised for the realism of issues, problems and people of an urban emergency room. For Asian Americans, Filipino Americans in particular, the award-winning show is about to get more real. 

As The Pitt winds up its second season the pcoming episodes tackle the problem of ICE and the federal agencies impact on the ER, especially its immigrant staff. 

That could mean trouble for the Filipino staff, Dr. Trinity Santos (played by Isa Briones), RNs Princess (Kristin Villanueva), and Perlah (Amielynn Abellera).

When casting for the show, the producers wanted the show to reflect a real-life ER and if you've ever stayed in a hospital for any length of time, most likely, that would mean Filipino medical personnel.

A win for the ensemble

The industry is finally taking notes. Just this week, the cast took home the Actors Award for Best Ensemble in a Drama Series. For those of us tracking "Views from the Edge," seeing the Filipino trio stand on stage alongside Irene Choi, Supriya Ganesh, and Shabana Azeez felt like a seismic shift.

This win validates what we’ve known all along: when you stop treating Asian characters as "background techs" and start treating them as the emotional heartbeat of the story, you don't just get a better show—you get a winner. For the Filipino community, which has historically been the backbone of the American medical system with none of the glory, seeing three Pinay actresses recognized as the best team on television is a full-circle moment we won't soon forget.

What makes The Pitt head and shoulders above other medical shows is that although the cast is large, each character are given moments within the show to round out the character's backstory. The Filipino trio will get plenty of screen time in the coming episodes of this season.

Already, we've seen the Filipino nurses converse in Tagalog when sharing gossip and discovered that Dr. Santos, who is of mixed racial heritage, is also a kababayan.

The lullaby heard round the world

If you haven't seen the clip of Dr. Santos (Isa Briones) singing to a "Baby Jane Doe" in a quiet corner of the ER, your social media feed is about to get hit with a tidal wave of feels. In a scene that has the FilAm community in a collective sob, Briones leans into her roots with a haunting rendition of "Ili-Ili, Tulog Anay."(roughly translated "Sleep Little One, Sleep.")

This wasn't just another TV moment; it was a cultural earthquake. By choosing a specific Hiligaynon lullaby — a suggestion from Briones actual father, Broadway’s Jon Jon Briones — Briones brought an ethnographic precision to The Pitt that we rarely see on prestige TV. It wasn’t just "representation"; it was a deep dive into the specific regional soul of the Western Visayas.

Seeing the hospital’s most "hard-edged" resident soften into her heritage to comfort an abandoned child is a masterclass in how to bridge the gap between the "model minority" myth and human reality

A new disruptor: Joy Kwon shakes things up

While the Filipino "trio" of Santos, Nurse Princess, and Nurse Perlah has built a fortress of kapwa (shared identity) in the breakroom, a new force has arrived to test those walls. Enter Joy Kwon (played by Irene Choi), a sardonic, hyper-individualistic Korean American first-year student.

Joy is the ultimate "lone wolf." With a photographic memory and zero interest in the hospital's social shorthand, she is the perfect foil to the established AAPI dynamic. We’re hearing whispers that upcoming episodes will see Joy challenge the "Pinay Power" duo, sparking a nuanced debate on workplace gatekeeping vs. cultural safe spaces. It’s a sophisticated look at intra-Asian friction that moves far beyond the monolithic "Asian" label.

Joy Kwon also has run-in with South Asian character, Dr. Victoria Javadi (Shabana Azeez) who navigates the halls of the hospital under the watchful, often critical eye of her mother, Dr. Eileen Shamsi, Joy arrives with a very different kind of baggage.

Irene Choi plays Joy Kwon

For Victoria, the hospital is a family business. Her struggle is about carving out an individual identity while carrying the weight of two generations of South Asian medical excellence. It’s about maintenance of status and the fear of being the "weak link" in a chain of success.

Joy, conversely, is the classic "disruptor." Her family background—whispered to be rooted in a gritty, working-class Korean American experience—doesn't offer the safety net of a senior attending mom. For Joy, her photographic memory isn't just a party trick; it’s her only weapon in a system where she doesn't have a "legacy" to fall back on.

While the Filipino trio provides the show's cultural heartbeat through their shared kapwa, the tension between Kwon and Javadi provides its intellectual friction. It’s a bold look at the fact that "Asian American" isn't a monolith—it’s a spectrum of class, history, and expectation.

ICE visits 'The Pitt'

The Pitt  executive producer John Wells and star Noah Wyle have confirmed that the series will tackle the real-world impact of ICE raids on hospital environments. 

At the request of HBO executives, the production team was asked to ensure the episode presents a "balanced" view that acknowledges multiple perspectives on the issue rather than taking a singular political stance.

Wyle described the show's approach as a "Rorschach test," where the drama aims to depict the "realistic" and "untenable" situations doctors face without making overt value judgments, allowing the audience to draw their own conclusions.

        FYI: You can stream 'The Pitt' on HBO Max. New episodes on Thursdays.

Wells emphasized that ICE raids are a "real issue in emergency rooms" and that the show's priority is depicting how these events affect patient care and the medical team's duties.

The ICE storyline is expected to heavily involve the show's Asian American immigrant and first-generation staff, who have been central to the series' portrayal of the "backbone" of the American healthcare system. That might mean the Filipino staff might be central to the plot.

The ICE storyline is expected to be intertwined with other narrative threads reflecting the fictionalized impacts of President Trump's "Big Beautiful Bill," including significant cuts to Medicaid.

View from the edge: A lesson for Hollywood

A plea to the Hollywood decision-makers, producers and writers:

When you stop treating Asian characters as "background techs" and start treating them as the emotional heartbeat of the story, you don't just get a better show — you get a winner by engaging the viewers. Beyond simple representation, it becomes representation that matters.

For many Filipino American viewers, seeing their reality reflected on screen is long overdue. The show challenges outdated tropes and offers an authentic portrayal—from nurses speaking Tagalog to scenes that capture deep-rooted Filipino values such as utang na loob (debt of gratitude) and kapwa (shared identity).

For the Filipino American community, which has historically been the backbone of the American medical system with none of the glory, seeing three Pinay actresses recognized as part of the best team on television is a full-circle moment and portraying them as three-dimensional human beings is history unto itself.

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge. 

AAPI casts of 'The Pitt' and 'Sinners' are a win for diversity at Actors Awards

The Pinay power trio on for  'The Pitt' earned Actors Awards for (from left):
Kristin Villanueava, Isa Briones and Amielynn Abellera

Look, we’ve spent years seeing Asians on TV and movies as either the "tech support" or the silent background extra, but at the 32nd Annual Actor Awards on March 1, the cast of the TV drama The Pitt and the Sinners movie officially flipped the script. 

While Asian actors did not win the top four individual acting awards this year at what used to be called the SAG-AFTRA Awards, they were vital to the night's biggest ensemble wins

The night’s biggest headline for the AAPI community was undoubtedly the historic ensemble win for The Pitt, which finally put Filipino American and South Asian actors at the center of the frame.

The medical drama didn't just win; it took home the trophy for Best Ensemble in a Drama Series, proving that when you actually cast us, we deliver. 

For the Filipino community, this wasn't just another award — it was a long-overdue "salute and recognition". In a field where Filipino nurses have been the literal backbone of American healthcare for decades, seeing the Filipino American actors  accept those awardds voted on by their peers felt like a win for every tita and tito in scrubs. 

The power of Filipino representation

Perhaps the most significant achievement of The Pitt is its unapologetic spotlight on the Filipino community. In the real world, Filipino nurses and doctors are the lifeblood of American hospitals, yet they are historically sidelined in TV scripts. With the goal of reflecting real life,The Pitt changes the narrative with a powerful trio:

• Dr. Trinity Santos (Isa Briones): A high-achieving Filipino American resident who navigates the intense pressures of the hospital with a competitive edge that feels earned and real.

• Nurse Perlah Alawi (Amielynn Abellera): A Filipino Muslim nurse whose presence brings a vital, often-ignored intersection of identity to the forefront.

• Nurse Princess Dela Cruz (Kristin Villanueva): Representing the heart of the ER, she embodies the dedication and empathy that Filipino healthcare workers are known for globally.

For decades, Filipino characters were the "background" of medical shows. Seeing three distinct Filipino characters—each with their own faith, personality, and professional standing—is a radical act of visibility. It acknowledges the historical legacy of Filipino labor in US healthcare that dates back over a century.

But The Pitt's representation didn’t end there. The ensemble win also spotlighted a deep bench of South Asian talent that is finally moving past the "nerdy sidekick" trope:

Supriya Ganesh (Dr. Samira Mohan): An American actress of Indian origin who brought nuance to the role of a workaholic resident. She’s been vocal about how South Asian women in medicine finally feel "seen" through her character.

Shabana Azeez (Victoria Javadi): The Australian-born actress plays a med-school prodigy struggling to live up to her surgeon parents’ legacy. Her presence—alongside Ganesh—shatters the "there can only be one" rule that has limited South Asian actors for years.

This wasn't just a win for a show; it was a win for a cast that looks like the actual world we live in. When they all stood on that stage together, it wasn't about diversity as a "checklist"—it was about a family of actors who earned their trophies.

The Pitt wasn't the only ensemble earning the Actors Award. The Studio won the award for Outstanding Performance by an Ensemble in a Comedy Series.

The Chinese-American actress Chase Sui Wonders took home a trophy as part of the winning ensemble for Apple’s hit comedy. The rest of the cast included Seth Rogen, Kathryn Hahn and Ike Barinholtz,.

'Sinners' cast wins

While the TV wins were a "salute" to the medical community, the film categories proved that AAPI actors were part of the Best Cast in a Motion Picture for the motion picture Sinners, including:

Hailee Steinfeld: The Oscar nominee (who is of Filipino descent) added an Actor Award to her mantle as part of the powerhouse ensemble for Ryan Coogler's vampire drama.

Li Jun Li: The Chinese American actress was a key part of the winning cast, further cementing her status as a top-tier ensemble player.

View from the edge

With these wins coming on the heels of the wild success of Everything, Everywhere All At Once in 2022, Shogun in 2024 (with a second season in the works), and current streaming hits Butterfly with Daniel Dae Kim, Ballard with Maggie Q and The Copenhagen Test with Simu Liu is an indication Hollywood is coming to realize that real diversity and inclusion of a diverse cast doesn't mean token characters here and there but a reflection of the changing demographics of real life fand signifies a major shift in visible representation and the mainstreaming of diverse narratives in Hollywood.

EDITOR'S NOTE: For additional commentary, news, views and chismis from an AANHPI perspective, follow me on Threads, on X, BlueSky or at the blog Views From the Edge.