George Takei joins new season of 'The Terror'

ALLEGIANCE

George Takei starred in the musical. 'Allegiance.'

ASAM NEWS

GEORGE TAKEI will star in the second season of AMC’s The Terror, Moviefone reports.

The Terror is a horror drama anthology series produced by Academy Award winner Ridley Scott. The first season centered around frozen Royal Navy ships. The crew aboard the ship struggles to survive the harsh winter, while being stalked by an elusive creature.

According to Screen Rant, the second season, set during World War II, will focus on a bizarre series of deaths that haunt a Japanese American community. Takei will play Yamamoto-san, a former fishing captain and elder. He will also serve as a consultant on the show, Moviefone reports.

Takei, who rose to fame playing helmsman Hiraku Kato Sulu in the original Star Trek TV series, also wrote and starred in Allegiance, a Broadway musical that took place in one of the internment camps and was loosely based on Takei's own experiences in those detention centers.

According to the AV Club, Alexander Woo, the new showrunner, says interment camps are a “blemish on the nation’s conscience.” He hopes that his storyline will convey the terror of the camps.

Production is set to begin in early 2019, Screen Rant reports. Fans can expect the second season to premier in 2019.

Views From the Edge contributed to this report.
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Diversity increases on Broadway but not for Asians

The cast of 'Hamilton' accounts for a lot of the increase in casting of minorities on Broadway.

THE LIGHTS of Broadway appear to be shining brighter for minority actors, singers and dancers but they dim when it comes to Asian/American performers.

Though the 2015-2016 season was touted as the season of diversity with the musical Hamilton leading the way, there were fewer Asian American artists hitting the stages of New York City, the live performance capital of the U.S, according to a report compiled by the Asian American Performers Action Coalition (AAPAC) released its annual report, "Ethnic Representation on New York City Stages."

“It’s a very positive outlook for the industry,” said Pun Bandhu, a member of the AAPAC steering committee. “However, Latinos and Asians are very removed out of the diversity conversation still,” he told NBC News.

Diversity on New York's stages shows overall improvement with 35% of all roles going to actors of color and disabled actors, a new high, according to the report. 

Overall, Asian representation dropped 5 percentage points from the previous season, to only 4% according to the latest report. It was the steepest drop among all minority groups.

This drop came despite the short run of the George Takei-inspired musical Allegiance, which featured a predominantly Asian cast and marked the first time an Asian/American composer and lyricist, Jay Kuo, was produced on Broadway, according to the report.
"We hope this report will be used as a resource to track casting trends, point to inequities where they may exist and provide a measure of how much further we have to go. We are hopeful that these numbers hint at better days ahead and are grateful for your continued interest and commitment to these issues," said the AAPAC steering committee in its report.

Although the last four years has shown a trend of increased use of minority actors, as has been the case since the AAPAC began its annual reports, white actors continue to dominate the stages. Caucasians are the only ethnicity to over-represent compared to their respective population size in New York City. 

According to the 2010 Census, whites made up only 33% of New York City's population while 26% were made up of African/Americans. 26% Latino and 13% Asian/American.

The season of Broadway hits Hamilton and The Color Purple was the most diverse in the 10 years for which AAPAC has data. Representation of actors of color hit a new high of 35% of all roles, besting last year’s record of 30%. Non-traditional casting has largely remained unchanged over the last 10 years, but jumped significantly this past season. 

The news, however, is not as celebratory if you’re not a musical theatre actor. For the first time since AAPAC has been collecting data, the study was able to compare plays to musicals on Broadway to further analyze where opportunities exist and where they is room for improvement for minority actors. 

READ the full AAPAC report.

While Broadway musicals hired 43% minority actors this season, plays on Broadway hired only 16% with the vast majority, 14%, awarded to African/Americans) helped by productions such as Eclipsed, which also brought the rare instances of an African/American female director and an African/American female playwright to Broadway, The Gin Game and The Crucible. 

While Hamilton and On Your Feet brought more Latinx performers to Broadway audiences by making up 11% of all roles, that good news was offset by having no Latinxs at all in Broadway plays. Asians did not fare much better with only one Asian actor who was cast in an ensemble role.

The racial breakdown for Broadway 2015-2016 follows:

• Caucasian actors: 65% of all roles
• African/American actors: 23% of all roles
• Latinx actors: 7% of all roles
• Asian/American actors: 4% of all roles
• Middle Eastern/North African (MENA) actors: 0.83% of all roles
• American Indian actors: 0.08% of all roles
• Disabled actors: 0.67% of all roles

The 'Miss Saigon' production employs an almost all-Asian cast.

Thus far, the best season for Asian/Americans was 2014-15, which saw them landing 75 out of the total 642 roles on Broadway. Closer examination shows that it’s largely due to just one production: The King and I, which features lots of Asian/American performers, but centers around a white character. 

That was also the year that the critically acclaimed musical Here Comes Love, based on the rise and fall of the Philippines' Imelda Marcos, had an extended run off-Broadway. The short-lived musical version of Gigi, featuring Filipina/American Vanessa Hudgens in the title role premiered on Broadway.

The King and I  and the Allegiance productions have closed down but in its place was the revival of Miss Saigon, which features a largely Asian cast, including Tony-nominated Eva Noblezada, who portrays Kim, the lead role. Later this year, the musical Once On This Island will be brought back featuring Lea Salonga.

“We applaud our colleagues at AAPAC for compiling this report and continuing to hold all of us in the theatre community accountable as we strive to create a fairer and more inclusive industry,” said Heather Hitchens, president and CEO of the American Theatre Wing, in a statement. “Much more needs to be done and this report from AAPAC makes that very clear.”

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Beam me up Scotty: It got better for Mr. Sulu

IT GOT BETTER for actor George Takei.

People may laugh to learn that I'm a die-hard fan of the TV show Star Trek, a pop culture icon that doesn't shy away from its science fiction roots. The genre is often looked down upon by the intelligentsia or literary snobs.  

While I can't claim to be a Trekker (Don't call me a Trekkie) I can't tell you how influential Star Trek has been in my life. There may be a book out there already written entitled "All I really need to know about life I learned from Star Trek." If there isn't, there should be. Hmmm?

When George Takei "came out" it was not surprising that the news didn't create such a fuss among  the many fans of Mr. Hikaru Sulu, chief helmsman of the original Enterprise crew. Besides the gadgetry, Star Trek was about diversity, tolerance, passion, compassion, logic and friendship. Also not surprising, most of the cast rallied around him with the notable exception of one starship captain.

With an interracial cast, the sci-fi series has always dealt with race either metaphorically or allegorically. It featured TV's first interracial kiss (Kirk and Uhuru) and a number of episodes dealt with inter-species prejudices and discrimination, just like we deal with race on Earth.

But, I digress.

Despite the daring themes Star Trek tackles, Sulu's role - and I dare say, Uhuru's role too, is just a cut above the red shirts, those unknown cast members who end up dying whenever the crew tackles dangerous missions. Their backstories don't get filled in years after the series ended in the books/novels/comics or follow up movies featuring the characters whose fans won't let them fade away. Only do the characters of Spock and Worf get rounded out.

In the five years since coming out, Takei's career has skyrocketed. To say he has been "busy" is an understatement.

Takei's role as mentor for Asian entertainers and elder statesman continues to grow. He is also cemented as a civil rights activist, not only for gays but for all people living on the Edge. His most recent project is a musical called "Allegiance" about the internment of Japanese Americans during WWII. The Broadway-bound production also includes Tony-award winner Lea Salonga in its cast.

In the meantime, catch the premier of the documentary "To be Takei" on DirectTV starting  July 3 through August.