|The sign calls them the Samal Moros from the island of Mindinao.|
ONE-HUNDRED ten years ago this summer, Filipinos made their first impression on America at the St. Louis Worlds Fair of 1904. Unfortunately, it wasn't a good one. Filipino Americans today are still living with the repercussions of the myths and images of that initial meeting.
This month, Filipino-American History Month, it is fitting we take a look back at that dark chapter in American history because its legacy still haunts Filipinos in America.
One of the most popular exhibits of the fair was the entry from the Philippines which featured villages from various parts of the country. There were Muslims (Moros, Tagalogs, Visayans and Igorot tribal people.
For most of the fair visitors, this was their first glimpse of the people from America's Pacific colony with whom the U.S. fought the Philippine-American War. The U.S. media called it a insurrection, but from the Filipino point of view, it was a war for independence. The U.S. government spent $1.5 million to transport 1,300 Filipinos for the display.
The Spanish-American War had just ended and the government wanted to show the American public why it was necessary for the U.S. to civilize the "Little Brown Brothers" from the Philippines. Colonialism was still in flower among the European powers and the U.S. didn't want to be left out of the action. The Europeans and Americans carved up the world and the people living in those colonized countries had no say. The European/U.S. cabal tried to justify their imperialism best exemplified in Rudyard Kipling's notorious poem, "The White Man's Burden," which claimed that Caucasians were the protectors of the world under God and that it was their duty to lead others towards the light of democracy and Christianity and, oh, by the way, give us your gold, silver and other resources in compensation.
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The St. Louis Fair, besides the Philippines, had exhibits from other countries that had been colonized. But, far and away, the Philippine exhibit was the most popular.
In advertising for the fair, the Igorots were called the "savages," the "head-hunters" and the "dog-eaters." Unfortunately, for some people, those images of Filipinos still linger in American culture today.
The St. Louis exhibit inspired Dr. Truman Hunt to start his own show the following year at Luna Park on Coney Island. He brought Bontoc Igorots for his "exhibit." When he began taking the Filpinos on tour, he stole from them and treated them badly. The conman was arrested for his crimes for stealing $9,600 in wages and using physical force to exploit the Igorots.
"The Igorrotes were miners and agricultural workers at home, renowned for their highly skilled irrigation and cultivation techniques, which enabled them to transform even the steepest mountainside into thriving rice terraces. There was no room for rice terraces or mines at Luna Park, so Truman had them erect a copper-smelting pant across from the medicine man's hut, which the Igorrotes would use to make their smoking pipes, along with jewelry and other trinkets to sell to their visitors." Excerpted from "The Lost Tribe of Coney Island: Headhunterss, Luna Park, and the Man Who Pulled Off the Spectacle of the Century" (Amazon Publishing/New Harvest) by Clair Prentice.
As might be expected -- as Filipinos do today in the Middle East, in Europe and here in America -- they adapted. And, like today's far-flung Filipinos, not all of them returned to the Philippines. Their descendants are still with with us. They, reportedly, still suffer shame and guilt from the abuse their ancestors' had to endure.
UPDATED (OCT. 18, 2015):
One researcher, Robert Galloway, in his article "Rediscovering the 1904 Worlds Fair: Human Bites Human," debunked the stories of exploitation but as he explained some of the actions of the fairgoers, he also falls into the trap of seeing the tribes people as objects instead of real live human beings.
One Ohio man, who has Igorot roots, wants to exorcise those demons by constructing an Ifugao Igorot house in St. Louis. He raised money for his project on the Internet and even though he fell short of the $20,000 he needed, he is beginning his project anyway.
The next time you see the old classic movie "Meet In St. Louis" and Judy Garland sings the title song, when she sings "We'll dance the hootchy kootchy," think about what might have inspired those lyrics.
|The transplanted Igorots performed a dance for onlookers.|